孙过庭《书谱》是经典的草书作品，同时也是中国古代书论的经典论著，其理论内涵丰富，涉及到书法取法、创作、品评、技法等各个层面。自《书谱》问世以来，逐步的被关注，并对后世产生了重要影响。本文研究的重点是在全面收集历代与《书谱》相关文献的基础上进行梳理和分析，展现其书法理论和书法艺术在唐、宋、元的传播和影响，总结出《书谱》对后世的具体影响状况。 为直观的展现不同时期《书谱》的传播与影响状况，论文以朝代划分章节，分析《书谱》在各个时代的接受状况，从而把握其在书法史中的特殊地位。鉴于《书谱》在各朝代传播和影响差异较大，各章节结构则相应做出调整，便于突出时代特色。文章侧重于分析不同时代《书谱》的理论内涵被吸收和转化的程度，其次为书法艺术在传播过程中产生的影响。 孙过庭《书谱》在唐代的传播和影响为起步阶段，书法理论依赖于书法作品的流传而传播，因方式单一，影响较小。通过整理唐代文献并综合分析，孙过庭《书谱》在唐代应该有不同书体的多个版本在流传，即除去现存“草书本”《书谱》外，还应有“行草本”“楷书本”在流传。孙过庭《书谱》在宋代开始广泛传播。首先是理论传播突破了唐代依靠作品流传的单一性传播方式，《书谱》全文被《书苑菁华》、《百川学海》收录并付梓。书法理论在这一时期逐渐被吸收和发展，出现了《续书谱》为代表的理论著述。书法艺术也在这一时期被确立为学习二王草书的典范。书法的传播除了依靠真迹流传，还被刻入《大观太清楼帖》，书法作品，由此开始广泛传播。元代承接宋代余绪，但未能全面展开传播。《书谱》的理论内涵继续被吸收和转化，出现继承《书谱》理论体系但侧重书法技法的著述《法书考》。

The Book Spectrum, written by Sun Guo ting in Tang dynasty, is one of the classic works of Chinese Calligraphy, and also be known as art work of cursive script, Its rich theoretical connotation including the calligraphy’s succession, creation, evaluation, writing skills and so on. Since the creation of the book, it attracted gradually gotten attention and also has had an important influence on later generations. The focus of this thesis is on the spread and evolution of the Sun’ theory ,the calligraphy art of the Book Spectrum, and its specific influence on later generations, based on the comprehensive collection and analysis of the related historic literature. In order to show the spread and influence of the Book Spectrum during different periods, this thesis, dividing its chapters according to different dynasties, analyses the specific transmission characteristics and influence depth of the book indifferent era, and then makes a comparison between dynasties. In view of the different emphasis of the influence on the Book Spectrum in different dynasties, the structure of the chapters will be adjusted accordingly in order to highlight the characteristics of the specific dynasty. The overall content of the thesis focuse on the analysis of the influence of absorption and transformation of the theoretical connotation of the Book Spectrum in different times. Secondly, the influence of Sun's calligraphy art. The spread and influence on the Book Spectrum in the Tang Dynasty was the initial stage, and the spread of the calligraphy theory depended on the spread of calligraphy works. Moreover the method was too single to make overall, influence. Based on the literature records of Tang Dynasty and comprehensive analysis in Tang dynasty, Sun's the Book Spectrum should have multiple versions and a variety of chirography in circulating, namely, beside the existing" cursive" version of volume A, there also should have the "running script" version and "regular script" version. Then the Book Spectrum was widely spread in Song Dynasty. First of all, Sun's theory broke through the single transmission mode that the spread of the works in Tang dynasty, and the full text of the book was collected and printed in the book "The Classic of The Academy" and "The Hundred Rivers of Learning". The theory of calligraphy was gradually absorbed and transformed during this period and several works on calligraphy theory had appeared. For instance, The Continuation on the Book Spectrum one of the famous of them. The art of calligraphy of Sun Guoting was also established in this period as a model for the study from Wang Xizhi and Wang Xianzhi. In this period, the transmission mode of calligraphy also broke through the single mode which relied on the original chirography, the book had been taken into the court and was engraved and collected in the "Taoist temple", this calligraphy works began to spread widely. The Yuan dynasty inherited the Song dynasty, but the book failed to be spread widely. The theoretical connotation of "The Book Spectrum" continued to be absorbed and transformed, and there was a book "The Magic Test" which inherited the theory of "The Book Spectrum" but focused on the technical method of writing.