本文以王世贞中后期在诗歌领域的话语权构建为思考中心，将研究对象限定为嘉靖三十八年之后的王世贞的诗歌理论与诗歌写作，主要研究材料为王世贞中后期集作《弇州续稿》、《读书后》等，并将之与王世贞早期集作进行比较。文章采用话语方式分析、文本细读、以及诗歌与诗学互证等方法来达到三层研究目的：首先，本论题最基本的贡献在于填补一段研究空白，即单就王世贞中后期的诗歌体裁的写作所呈现的独特文本现象进行分析，而非既有的王世贞晚年文学思想转变的泛论，其研究意义在于修正现有文学史对于王世贞文学影响的部分的偏颇评价。其次，本文的研究核心为王世贞中后期诗坛话语权力的构建方式及其过程。最后，本论题将体察王世贞与晚明诗学新走向的关系。 论文正文部分共分为三章，分析了王世贞中后期诗歌话语权的三种构建方式及其过程。第一章是王世贞诗歌理论由早期贯穿到后期的潜在调节,包括由《明诗评》到《艺苑卮言》在写作动机、诗学接受等方面的转变、《读书后》诗学品评重心的转移、以及《续稿》诗序文中的新的诗学观念。第二章是王世贞晚年近体诗写作的创新途径，包括在叙述性上的增强、视角选择上的独特性、以及诗句不避同式的表达方式。第三章分析了王世贞晚年古体诗的功能性运用及其对诗坛话语权构建的间接带动作用，主要内容包括其不同体裁的古体诗写作分别与王世贞的政治生涯变化、文化地域变迁、以及交游群体变动的互动关系。 本文的余论主要探讨王世贞中后期诗歌话语权建构活动影响下的晚明诗学新走向，内容主要包括“后王世贞”时代的诗学建设问题、晚明商业化背景下的诗歌写作问题、以及积极接受宋体诗的时间开端问题。其中在关于宋诗接受的问题上，本文认为宋诗接受的开端为晚明时期，甚至可以追溯到王世贞的晚年。

This article,using the analytical methods of discourse patterns studying,close reading,mutual proving of writing and thinking of poems,and literary ecology studying,makes Wang Shizhen’s construction of poems’dicourse power in his middle and late years as the center of thinking,makes Wang Shizhen’s poetry writing and poetry theory as the main objects of the reaearch,and takes Wang’s anthology—Swquel of Yanzhou Shanren,Dushuhou as the most significant materials of study to achieve three main purposes.Firstly,this articles most basic value refers to fill in the blank of close reading of Wang Shizhen’s different writings compared with those in his early years,rather than the general understanding of his later literary thoughts,trying to correct some little biased opinions to Wang Shizhen’s influence on some literary historys works.Secondly,this study devotes to finding three ways that Wang used in the later years to biuld his own status of poetry.Last but not the least,the article also trys to discuss the relation between Wang Shizhen and poutry circles’new development in late Ming dynasty. The paper is divided into two parts with four chapters.The first part concludes three chapters which respectively analyses three ways of Wang Shizhen’s construction of poems’dicourse power in his middle and late years.The first chapter mainly discusses Wang’s potential adjustion in his poetry theory works which concludes alteration from Mingshiping to Yiyuanzhiyan both in writing motivation and poetry theory reception,compatible change from Yiyuanzhiyan to Dushuhou,and text grafting of poetry theories in literary preface works of Swquel of Yanzhou Shanren. The second chapter is another way of the construction—literary creation in modern-style poems concluding logical expression,new angle of view,different dissemination of poems’information,and poems’ unique sense of hearing. The third chapter refers to the last method of Wang’s construction—the functional use of pre-Tang poetry writing which concludes three kinds of relationship between Wang’s poems and incidents. The first kind is the relation between the New Yuefu writing and his frequent resignition from the official.The second kind refers to the relation between “Zhuizhi” poetry and his reciprocation.The last way is the relation between presenting poems and his regional alteration in late years.The article’s second part is the epilogue of this paper in the fourth chapter which mainly discuss the relation between Wang Shizhen and poetry circles’new development in late Ming dynasty and the different progess of poutry writing and theory works in the different literary environment after the Mid-Ming dynasty.This part concludes the new poetry creation modes in the times of Post-Wang Shizhen,the start of the controversy of poetry in Tang and Song dynasties,and the different poetry writings in the commercial era that mainly concludes late Ming dynasty and Qing dynasty.