近年来，以韩国电视剧为代表的韩国流行文化汇成了一股股强劲的“韩流”，席卷了亚洲甚至世界市场。现在，韩国电视剧已经形成了自己独特的风格和特征，具备了鲜明的品牌效应。韩国电视剧有自己准确的市场定位、实现了本土资源的极大开发，制作出了大量具有教化德育意义、蕴含生存哲学，贴近现实生活、关注社会百态和人民生活的优秀电视剧作品。但是，金无赤足，即便是已经取得极大成功的韩国电视剧也无例外的存在着矛盾和缺陷。剧情重复、太过梦幻和脱离生活现实等等问题也越来越多地被学界所批判。世界充满着悖论，电视剧艺术作为艺术的一种形式，也不可避免地存在着与生俱有的固有属性带来的悖论，这是任何国家、任何社会和文化背景的电视剧编导都将面临和正在面临的问题。但可贵的是，韩国电视剧的编导者清楚地认识了这些问题，在电视剧的编导过程中规避了这些固有悖论，甚至在某些方面巧妙地利用了这些悖论，使之服务于电视剧的创作和优化。下文主要将从韩国电视剧的市场定位、古典与现代的题材处理、雅与俗的艺术表现方式以及坚守与创新这四个方面来详细分析韩国电视剧的审美悖论，重点关注其消解和利用这些审美悖论的方式和途径，并试图从中总结经验，给中国电视剧的创作提供有益借鉴。

Recently, Korean popular culture is conquering the whole Asian area even world particularly Korean dramas. After 20 years development, Korean dramas which is still limelight strong has gotten lots of stable consumer markets and faithful audience group . By now, Korean dramas has already formed its unique brand ,owing to its precise marketing positioning and maximizing development of local resoures and some other reasons. Therefore there are plenty of excellent dramas originate from life and close to life.But on the other hand, it still gets some paradoxs which are essential attributes to any kind of art style, such as plot repeat and unreality, etc, which are criticized by comment. Any director have to face those inherent parodoxs ,however Korean dramas creators have been doing a good job dealing with those problems by maximizing weakening even making use of them.This paper is going to analyze Korean dramas’ aesthetic paradox and its resolution methods from four aspects as follows: local or overseas marketing positioning , classic or contemporary themes, elegant or vulgar expression language and consolidation or innovation. By which might give some beneficial reference to Chinese dramas’ creation more or less.