近年来，学界对师陀研究的重视程度有一定提升，但对师陀的关注还远不如同时代的其他作家，师陀依然有很多值得去研究、去阐释的地方。尤其是部分学者简单提及的师陀的梦想乌托邦世界、乌托邦创作倾向，有深入研究的价值和可能性。因此，本论文从师陀创作中体现出来的乌托邦情怀谈起，试图观照师陀容易被人忽略的对现实世界“审美超越” 的部分，希望能够以一个新的角度解读师陀的创作和其心理，为更好地解读师陀提供一种途径，从而丰富师陀研究成果。论文一方面试图从文本中找出并分析师陀某一方面的精神特质——即论文概括出的“乌托邦”情怀，以期能够对师陀有更全面、充分的了解和展现；另一方面尝试从“乌托邦”情怀入手，想要以一个不同的角度分析师陀的作品何以独特，并建构出潜藏于作者对乡村、都市双重批判下的乌托邦精神家园。

In recent years, the academic circles have paid more attention to the study of Shi Tuo, but their attention to Shi Tuo is far from that of other writers in the times. Shi Tuo still has many places worth studying and explaining. In particular, some scholars simply mentioned Shi Tuo's dream utopian world and utopian creative tendency, which has the value and possibility of in-depth research. Therefore, starting from the utopian feelings embodied in Shi Tuo's creation, this paper attempts to observe Shi Tuo's "aesthetic transcendence" of the real world, which is easy to be ignored, hoping to interpret Shi Tuo's creation and his psychology from a new perspective, so as to provide a way for a better interpretation of Shi Tuo, so as to enrich Shi Tuo's research results. On the one hand, the thesis tries to find out and analyze one aspect of Shituo's spiritual characteristics, that is, the "Utopian" feelings summarized in the thesis, in order to have a more comprehensive and full understanding and display of Shituo; On the other hand, I try to start with the "Utopian" feelings, want to analyze why Shi Tuo's works are unique from a different angle, and construct the utopian spiritual world hidden under the author's Dual Criticism of the countryside and the city.