21世纪以来，琵琶艺术高速发展，纷繁复杂的琵琶作品为演奏者提出了更高的要求。如何才能演奏好各类作品，“好”的标准又是什么？文章以风格性乐曲中的二度创作为研究对象，将演奏者视角作为切入点，以乐曲《弦子韵》为例，第一章论述了不同琵琶作品的审美风格，第二章阐述了作者对风格性乐曲《弦子韵》的二度创作过程。通过呈现作者对乐曲《弦子韵》中“大鼓”风格的二度创作过程，分析了琵琶演奏者对风格性乐曲进行二度创作的基本审美方向和创作手段。

Since the 21st century, with the increasing number of contemporary Pipa works, the complicated Pipa works have put forward higher requirements for the performers. How can we play different works well, what is the standard of "good"? This paper takes the second creation of style music as the research object, takes the performer's perspective as the starting point, and takes the music "XianZiYun" as an example, The first chapter discusses the aesthetic styles of different Pipa works, and the second chapter describes the author's second creation process of the style music "XianZiYun".through the analysis of the pipa performance process of "big drum" style in the music string rhyme, expounds the basic aesthetic direction and creative means of the second creation of style music by Pipa players.