“题跋”是我国古代的文体形式之一，依附某种载体而生发作者之议论兴叹。题跋发展至北宋文人手中，其作为一类文体的概念逐渐生成定论，除却前代既有的特定功能，题跋在内容所及、精神书写和艺术表现层面均获了长足的发展，形成了独特的话语方式和文化内涵。在诸大家中，黄庭坚妙于题跋，尤其是在文艺性题跋的发生与成长中有着不可磨灭的地位和贡献。而在其众多题跋创作中，论艺性题材所占比重较大，涉及书、画、书法及诗赋等多个领域，展现出明显的去政治化和艺术生活化倾向，塑造了黄庭坚作为士大夫的多维立体形象。其核心思想如不俗、韵、自成一家等经由感性体验上升为独特的艺术理论与追求，书写着黄庭坚对于士大夫人格与审美塑造的个性追求，是其题跋中的精华所在。

"Postscript" is one of the ancient literary form in China, having a discussion attaching to some carrier. Postscript developed to the Northern Song dynasty, the concept as a kind of literary style gradually generate conclusively, except for the specific functions existing in former generation, Postscript have been considerable developed in the related content, the spirit of writing and artistic level, forming a unique mode of discourse and cultural connotation. In the US, Huang Tingjian is good at writing Postscript, especially in the development and growth of the Postscript having the indelible status and contribution. In the numerous inscriptions, the theme of art creation consist of a larger proportion, relating to books, painting, calligraphy and poetry and other fields, showing obvious depoliticalization and artistic life tendency, which portrays Huang Tingjian as a multi-dimensional image of literati. The core idea of not secular, rhyme, the one and only rise from perceptual experience to the theory of art and the pursuit of unique, writing Huang Tingjian’ personality pursuit for literati’s personality and aesthetic shaping, which is the point where the essence of the inscriptions took root in.