20世纪30年代发生的“晚唐诗热”是新诗发展史上值得注意的文学现象，现代诗派中回望古典的一批诗人用独具现代性的眼光对传统重新进行考察与阐释，将其中的优秀质素作为新诗建设的经验融入自己的创作之中；同时他们又超越传统，展现了现代新诗的独特性与时代性。本文首先讨论现代诗派对晚唐诗风的接受背景；尝试以“晚唐诗热”为切口，结合现代派诗人具体的诗歌作品，系统归纳他们在古典传统中“再发现”的种种因素；并思考“再发现”后，现代诗派从哪些方面实现了对传统的超越，从而感觉现代诗派在创作路径上探索的艰辛，理解新诗与传统的内在联系。

The Late Tang Poetry Fever of the 1930s was a noteworthy literary phenomenon in the history of new poetry, in which a group of poets from the modern school of poetry looked back at the classics and re-examined and reinterpreted the tradition with a uniquely modern eye, incorporating the best qualities of it into their own writing as experience in the construction of new poetry; at the same time, they transcended tradition to reveal the uniqueness and topicality of modern new poetry. This article first discusses the background of the modern poets’ acceptance of the late Tang poetic style; it attempts to use the “late Tang poetic fever” as a starting point, and to systematically summarise the various factors of their “rediscovery” in the classical tradition in relation to the specific poetic works of the modern poets; in addition, we will consider in what ways the modern poets have transcended tradition after the “rediscovery”, so that we can feel the difficulties of the modern poets in exploring the creative path and understand the intrinsic connection between new poetry and tradition.