戏剧独白是英国诗歌的重要体裁之一，在维多利亚时代由诗人罗伯特·勃朗宁发扬光大，进入20世纪后受到以艾略特为代表的现代主义诗人的关注。本研究在时间和空间叙事的框架下，比较勃朗宁的《安德里亚·德尔·萨托》与艾略特的《普鲁弗洛克情歌》两首戏剧独白诗的差异，旨在揭示时空意识背后的现代性内涵。通过对叙事方式和戏剧冲突的分析揭示时间意识，通过对戏剧场景和讲话者与听者之间的互动来揭示空间意识。从勃朗宁到艾略特的戏剧独白诗中时空意识的流动反映了人伦关系逐渐破裂，个体为逃离崩溃的现实世界而转向封闭的自我世界，人与人的关系渐趋疏远，人与自我的关系得到加强。在这两首诗时空意识变化的背后，不仅呈现出从维多利亚传统向现代主义艺术转变的趋势，也体现了现代性凸显和成熟的过程。

Dramatic monologue is one of the important genres of English poetry which was developed in the Victorian age mainly by the poet Robert Browning. Entering into the 1900s, dramatic monologue has attracted more attention of modernist poets represented by T.S. Eliot. This research compares the differences between Browning’s “Andrea del Sarto” and Eliot’s “Love Song of J. Alfred Prufrock” in the framework of time and space narrative, shedding light on the issue of modernity behind the time-space consciousness. The time consciousness is revealed by the way of narrative and the dramatic conflicts, and the space consciousness is revealed by the dramatic scenes and the interaction between the speaker and the listener. The flow of time-space consciousness in dramatic monologues from Browning to Eliot reflects the rupture of human relations. Seeking for an escape from the collapsing real-life world, the individual turns to the closed internal world where the space and time are deconstructed. The relationship between man and man is gradually alienated, and the relationship between man and self is then strengthened. The change of time-space consciousness not only demonstrates the transformation from Victorian convention to modernism, but reflects the process of the emergence and maturity of modernity.