“灰姑娘”的故事是世界性的童话，是当下传播范围最广、知名度最高、影响最深远的童话故事之一。随着千百年来的发展和传播，“灰姑娘”故事产生了多种的变体，演绎出了丰富的意蕴。作为一种原型，它既是一篇童话故事，一类民间传说，又是一种叙事结构，一个创作情结，对灰姑娘故事的讨论可以帮助研究者更好地去拆解作品，分析文学与传统、文本之间的内部关系。论文旨在从创作诗学的角度，运用“神话-原型”批评方法对“灰姑娘”故事在中国当代小说中的置换和增殖进行研究。

全篇论文共四部分。绪论部分简要梳理了“灰姑娘”故事的原型由来，运用结构主义的方法分析，可以归纳出“灰姑娘”故事的7几个标志特征：灰色童年、遭受虐待、经历爱情、身份陡转。第一章介绍“灰姑娘”故事在当代小说中的显形和变体。进入中国当代文学，“灰姑娘”故事仍然具有极强的生命力，根据不同的历史语境、社会现实和文学发展阶段，可以将其分为三种不同类型。革命式的“灰姑娘”在革命领路人的帮助之下脱离苦海，成为革命接班人，最终转变为“红姑娘”，故事的内核是“拯救-被拯救”。启蒙式的“灰姑娘”着意追求个体的主体性，表现为对父权制度的反抗和王子的阳痿，故事的内核是“父亲的退隐和王子的阳痿”。消费版的“灰姑娘”经历了从原型人物复刻式回归到奇观化反叛的过程，故事的内核为“美貌-权力的身份置换”。本文第二章分析“灰姑娘”故事叙述策略的当代改装。“灰姑娘”故事被施以更为自觉的政治改装，政治寓言性质也相应呈现出更为复杂的图景，有时甚至从幕后走向台前，隐喻性也在向明喻、转喻过渡。叙事策略经历了现代性改造，叙事角度变得更为多元，继母、继姐妹变成叙述的中心人物，个体命运和历史语境之间具备明显的映射关系。“灰姑娘”的道德机制相应改变，表现为对“美德有报”情节的处理和改造。本文第三章分析“灰姑娘”的权力让渡模型，以及文学创作对“灰姑娘”故事运用的得与失。“灰姑娘”故事触及到人类从起源到发展的精神事件，促进了个体之间的精神联系和精神沟通，故事的变化正是时代精神的变更、文学审美标准的迁移的一次生动表现。“灰姑娘”故事不仅自身属于原型，将故事深入剖析，其中蕴藏着不同方面文学传统的遗迹，具体体现为“才子佳人”传统和“难题考验”传统的复现。论文的最后总结“灰姑娘”故事写作方面的得失，故事模式运用得当，能够使得作品的意义更为厚重和深刻；故事运用失当，则让文学作品难以摆脱模式化的束缚，从而削弱了故事的美学价值。

The story of "Cinderella" is a worldwide fairy tale, which is one of the most widely spread, well-known and far-reaching fairy tales. With one thousand years of development and spread, "Cinderella" story produced a variety of variants, deduce the rich connotation, as a kind of prototype, it is a fairy tale, a kind of folklore, is a kind of narrative structure, a complex, the discussion of the Cinderella story can help researchers to dismantling work better, Analyze the internal relationship between literature, tradition and text. This thesis aims to study the replacement and multiplication of "Cinderella" stories in Chinese contemporary novels from the perspective of creative poetics by using the "myth-archetype" critical method.

The paper consists of four parts. The introduction part briefly sorts out the origin of the "Cinderella" story, and by using the method of structuralism, it can conclude several characteristics of the "Cinderella" story: gray childhood, suffering from abuse, experiencing love, and steep transformation of identity. The first chapter introduces the appearance and variation of Cinderella story in contemporary novels. Entering contemporary Chinese literature, "Cinderella" story still has strong vitality, according to different historical context, social reality and literary development stage, it can be divided into three different types. The revolutionary Cinderella gets out of misery with the help of the revolutionary leader, becomes the revolutionary successor, and eventually becomes the Red Girl. The core of the story is "save -- be saved". The enlightenment "Cinderella" focuses on the pursuit of individual subjectivity, which is manifested as the resistance against patriarchy and prince's impotence. The core of the story is "father's withdrawal and prince's impotence". The consumer version of "Cinderella" has gone through the process of returning from the archetypal character reproduction to the spectacle of rebellion, and the core of the story is "beauty - power identity replacement". The second chapter analyzes the contemporary adaptation of the narrative strategy of "Cinderella". The "Cinderella" story is subjected to a more conscious political modification, and the nature of political allegory also presents a more complex picture. Sometimes, even from behind the scenes to the front of the stage, metaphor is also transitive to simile and metonymy. The narrative strategy has undergone the transformation of modernity, and the narrative Angle has become more diversified. Stepmother and stepsister have become the central characters in the narrative, and there is an obvious mapping relationship between individual fate and historical context. The moral mechanism of "Cinderella" changes accordingly, which is reflected in the treatment and transformation of the plot of "virtue is rewarded". The third chapter analyzes the power transfer model of "Cinderella" and the gains and losses of the use of "Cinderella" stories in literary creation. "Cinderella" stories touch on the spiritual events from the origin to the development of human beings, and promote the spiritual connection and spiritual communication between individuals. The change of the story is a vivid expression of the change of the spirit of The Times and the migration of literary aesthetic standards. The Cinderella story not only belongs to the prototype itself, but also contains the relics of different literary traditions, which are embodied in the repetition of the tradition of "talented person and beautiful woman" and the tradition of "difficult challenge". In the end, the thesis summarizes the gains and losses of "Cinderella" story writing. The proper use of story mode can make the meaning of the work more profound and profound. Improper use of stories makes literary works difficult to get rid of the shackles of stereotypes, thus weakening the aesthetic value of stories.