村落作为一种特殊的文化形态，其外显方式通常表现为文化景观。透过文化景观的生产和再生产的复杂过程，我们可以清楚地看到民俗生活的变迁过程。本文借助民俗学、人文地理学的相关概念和理论，运用田野调查、文献资料的方法，以浙江省丽水市松阳县竹源乡小竹溪村为个案，对其文化景观的构成作了详细的分析和描述，并通过景观的变化透视当地民众的民俗生活。 第一章的内容为小竹溪村的景观环境，亦即小竹溪村落外部的自然地理环境以及村落历史文化背景。通过小竹溪村对村落周围环境的描述和态度分析他们的自然观，自然孕育了人文，人文依附于自然，自然与人文的交互影响促成了当地和谐的村落空间和深厚的历史底蕴。 第二章的内容为小竹溪村的物质文化景观，如道路、桥、建筑、民居民宿等。村落作为一种特殊的聚落空间，内部在功能上保持着相对完整性。而人们又会基于生活所需对村落空间加以改造。本章分析了小竹溪村落空间的变动过程和人们生活观念的变化。在此基础之上，揭示了新的物质文化景观产生的根源。 第三章的内容是小竹溪村最具有代表性的非物质文化景观——小竹溪送灯仪式，旨在通过仪式分析当地民众自我意识的表达过程。文章首先指出了徐侯大王信仰产生的社会现实基础，分析了徐侯大王形象被人格化塑造所反映的乡土生活逻辑，继而通过仪式的深描，集中呈现了仪式的组织、流程和功能，并分析了成为非物质文化仪式的小竹溪送灯所面临的复杂状况以及新产生的仪式新景观所造成的社会影响。 第四章的内容是对村落民俗生活的变迁的分析。自民俗旅游振兴乡村的发展路径提出以后，小竹溪村的民俗生活再次面临变动。通过文化景观的生产和再生产，我们可以清楚地看到当地民俗生活的变化。文章将通过文化景观的生产与表达机制、对空间产生的影响、人们日常生活的变革三个方面来分析和探讨民俗旅游背景下，民俗如何进入大众视野，继而又是如何影响地方文化的构建的。

As a special cultural form, village is usually manifested as a cultural landscape. Through the complex process of cultural landscape production and reproduction, we can clearly see the changing process of folk life. Based on the concepts and theories of folklore and human geography, this paper makes a detailed analysis and description of the composition of the cultural landscape in Xiaozhuxi Village, Zhuyuan Township, Songyang County, Lishui City, Zhejiang Province, and through the changes in the landscape to see the local people's folk life. The first chapter concerns the landscape environment of xiaozhuxi village, that is, the natural geographical environment outside Xiaozhuxi Village and the historical and cultural background of the village. Through the description and attitude of Xiaozhuxi Village to the environment around the village, this chapter focuses on the analysis of their view of nature. Nature has bred humanity, humanity is attached to nature, and the interaction between nature and humanity has contributed to the harmonious village space and profound historical heritage. The content of the second chapter is the material and cultural landscape of Xiaozhuxi Village, such as roads, bridges, buildings, and residents. As a special settlement space, the village maintains relative integrity in function, and the people will transform the village space based on the needs of life. This chapter analyzes the changing process of the Xiaozhuxi village space and the change of people's life concept. On this basis, it reveals the origin of the new material cultural landscape. The content of the third chapter is the most representative non-material cultural landscape of Xiaozhuxi village, Xiaozhuxi lamp delivery ceremony, which aims to analyze the expression process of local people's self-consciousness through the ceremony. This chapter first points out the social reality foundation of Xuhoudawang's belief, and then analyzes the local life logic reflected by the personification of Xuhoudawang's image, and then presents the organization, process and function of the ceremony through the profound description of the ceremony. Moreover, this chapter also analyzes the current complicated situation of Xiaozhuxi, which has become a non-material cultural ritual, and the social impact caused by the new ritual landscape. The fourth chapter is the analysis of the changes of village folk life. Since the development path of the rural revitalization of folk tourism was put forward, the folk life of Xiaozhuxi Village is facing changes again. Through the production and reproduction of cultural landscapes, we can clearly see the changes in local folk life. Through the production and expression mechanism of cultural landscape, the influence on space, and the change of people's daily life, this paper analyzes and discusses how folk customs enter the public view and then influence the construction of local culture in the background of folk tourism.