“京漂”是21世纪中国社会文化的重要现象，折射出城市化进程中的景观变迁和文化重构，及其内部矛盾庞杂的价值理念。而“漂”从本质上说，又是一种关乎人类生存和发展的哲学情境。京漂人物进入首都，与具象的宏大相遇，有一只巨大而有力的手将其推向新世界，在本尼迪克特·安德森所谓“想象的共同体”中，扮演旁观者无法理解也难以效仿的角色，体验着“波西米亚”式的放逐感与归属感。京漂叙事回应着新世纪以来的巨大变化，使得生动鲜活的历史场景和复杂多元的社会元素浮现在世人眼前。
在与文学镜像的碰撞中，北京土著石一枫持续关注京漂底层，表现出个性化的写作风貌。本文在绪论中对“京漂”概念进行厘定，梳理了北京城市空间的书写演变，并在此基础上明确文章思路：以石一枫小说为研究对象，以文学文化研究为主要方法。第一章“石一枫小说的京漂叙事风格”，从京味语言、京城视角和京漂主题出发，追溯了石一枫的创作风格流变、叙事人称转变，以及中国故事的改写策略。
第二章“石一枫小说的京漂人物形象”，溯时间之流而上，聚焦于经由不同路径来到北京的异乡人。从改革年代通过亲属投靠、进京指标留京的乡土移民，到世纪之交在京创业追梦的精英移民，再到后奥运时代的暂住移民——伴随着中国都市急遽转型，“新北京人”终于获得官方认证。在“历史化”的视野下，石一枫塑造的京漂人物正是按照上述三个节点分支生长，呈现出复杂的演变过程。个体与北京的接近或远离，这种探索本身即是“文本”，充满了经典的“文学时刻”，浪漫/传奇故事的线索贯穿其中。
第三章“石一枫小说的京漂身份焦虑”则强调人物心灵的探微，在新的社会结构与历史流变中，石一枫如何阐释底层民众的身份焦虑，讲述独属于这一时代的中国人命运。从社会发展的角度回望，京漂一族在特定的时代机缘下一次次选择了北京，并与之产生“羁绊”。与情感羁绊相对应的，是人物的身份焦虑，不论是内置于一代代外省人灵魂的边缘性，还是校漂族对大学校园的依附性、当下打工者的迷惘性，无不显示出城市中人对外部世界的抵抗、妥协或适应。
第四章“石一枫小说的京漂空间政治”聚焦于“文学地理”视阈中的京漂故事，和人物在北京城市空间的定位。戴维·哈维、爱德华·W.索亚等理论家对空间正义的研究，提供了别具启发的理论视角。京漂叙事从北京空间发力，以千禧年和奥运年为节点编织作品，北京城市空间的巨变，与千禧年前的“现代化城市改造”、迎接奥运的“国际大都市”建设同步，“城与人”的联结被整合进审美现代性的话语之中，共同领受着现代化的激荡或迷惘。读者在移步换景之间，来到胡同与城中村，了解内城空间的分化；在郊县停驻，读懂外围空间的疏解功能；从“五环”的设置窥探阶层空间的区隔，重新思考关于“共同体精神”的表述。石一枫写北京并未止步于“景观”，而是突出都市空间的政治意味与时代烙印，为城市文学超越固有的景观描摹和欲望书写，建构起新的有效路径。
结语总述了石一枫小说在京漂叙事视角下的研究成果。作为一名积极入世的作家，为了更全面、客观地观察北京，他通过人物形象的丰富序列、文化断裂中的身份焦虑、京城视角下的空间内景透视，一一回应了如何用虚构文字回应现实变动的问题。京漂现象揭示出具有普适性的生存处境，石一枫特别提到了现代化进程下中国人的流散状态，这是一个非常值得关注的话题，本文希望打开更多研究视角与思考空间。

The "Beijing Drift" is an important phenomenon of Chinese society and culture in the 21st century, reflecting the changing landscape and cultural reconstruction in the process of urbanization, as well as its internal contradictory values and concepts. In essence, "drifting" is a philosophical situation, which concerns the survival and development of human beings. The characters enter the capital city and meet with the figurative grandeur, with a huge and powerful hand pushing them to the new world, playing a role in what Benedict Anderson calls "the imaginary community", which is incomprehensible and difficult for onlookers to emulate, experiencing a "bohemian In what Benedict Anderson calls "imaginary communities", they play roles that are incomprehensible to onlookers and difficult to emulate, experiencing a "bohemian" sense of exile and belonging. The narrative of Beijing Drift responds to the great changes since the new century, making vivid historical scenes and complex and diverse social elements emerge before the eyes of the world.
In the collision with the literary mirror, Shi Yifeng, a native of Beijing, continues to focus on the underclass of Beijing drifters, showing his individual style of writing. In the introduction, we define the concept of "Beijing drifters" and sort out the evolution of writing in Beijing's urban space, and on this basis, we clarify the idea of this paper: taking Shi Yifeng's novel as the research object and literary and cultural research as the main method. The first chapter, "The Beijing Drift Narrative Style of Shi Yifeng's Novels," traces Shi Yifeng's creative style, narrative persona change, and rewriting strategy of Chinese stories from the perspective of Beijing language, Beijing flavor, and Beijing drift theme.
The second chapter, "The Characters of Beijing Drifters in Shi Yifeng's Novels," traces the flow of time and focuses on the foreigners who came to Beijing through different paths, from the rural migrants who stayed in Beijing through relatives' defection and entry index during the reform era, to the elite migrants who started their own businesses and pursued their dreams in Beijing at the turn of the century, to the temporary migrants in the post-Olympic era, along with the rapid transformation of China's urban With the rapid transformation of China's urban areas, the "New Beijingers" have been officially certified. In a "historicized" perspective, the characters of Beijing drifters under Shi Yifeng's writing grow in accordance with the above three nodes, showing a complex evolutionary process. The exploration of the individual's seeming proximity to or distance from Beijing is itself a "text", full of classic "literary moments", with threads of romance/legend running through it.
The third chapter, "The Identity Anxiety of Beijing Drifters in Shi Yifeng's Novels," emphasizes the exploration of the characters' hearts and minds, and how Shi Yifeng explains the identity anxiety of the underclass people in the new social structure and historical changes, and tells the fate of Chinese people in this era. Looking back from the perspective of social development, the "Beijing drifters" choose Beijing again and again under the specific chance of the times, and become "tied" to it. Whether it is the marginality embedded in the souls of generations of expatriates, the dependence of the school drifters on the university campus, or the confusion of the current part-timers, the identity anxiety of the characters shows the resistance, compromise or adaptation of the city people to the outside world.
The fourth chapter, "The Spatial Politics of Beijing Drift in Shi Yifeng's Novels," focuses on the stories of Beijing drifters in the context of "literary geography" and the positioning of characters in Beijing's urban space. Theoreticians such as David Harvey and Edward W. Sawyer provide an inspiring theoretical perspective on spatial justice. The narrative of Beijing Drift starts from the Beijing space, and weaves the work with the millennium and the Olympic year as nodes. The dramatic changes in Beijing urban space are synchronized with the "modernization of the city" before the millennium and the "cosmopolitan" construction in anticipation of the Olympic Games. The connection between "city and people" is integrated into the discourse of aesthetic modernity, and together they experience the excitement or confusion of modernization. The reader is able to understand the division of inner-city space by moving through the hutongs and urban villages, and to understand the decentralization of peripheral space by stopping in suburban counties, and to rethink the expression of "community spirit" by peeking at the separation of class space through the setting of the "Five Rings". Shi Yifeng does not stop at the "landscape" of Beijing, but highlights the political meaning and the brand of the times of the urban space, constructing a new effective path for urban literature to go beyond the inherent landscape description and desire writing. 
The concluding remarks summarize the research results of Shi Yifeng's novel in the perspective of the Beijing drift narrative. As a writer who actively enters the world, in order to observe Beijing more comprehensively and objectively, he responds to the question of how to respond to the changes of reality with fictional words through the rich sequence of characters, the identity anxiety in the cultural rupture, and the perspective of the inner space in the capital city. The phenomenon of Beijing drifters reveals a universal survival situation, and Shi Yifeng especially mentions the diasporic state of Chinese people under the modernization process, which is a topic of great concern, and this paper hopes to open up more research perspectives and thinking space.