中国现代小说创作中有一种“重写”现象，中国现代作家对历史的重写实际上是联结起历史、现实和自我三者的一种“对话场”式的写作。“出奔者”形象是这一类“重写型”小说中典型的人物形象系列之一，“出奔”是指一种“异质性”的状态，“出奔者”就是处在某种“异质性”中的人。“重写型”小说中的“出奔者”形象呈现出三个基本形态：出走、流放、逃亡。本文将梳理中国现代“重写型”小说的勃兴，归纳讨论“重写”的观念和尺度，整理总结现代作家重写“出奔者”形象的作品，进行文本的对比和现实的对照，详细分析现代作家对“出奔者”形象的重写情况，了解其怎样成为时代现实、思想意识和历史传统结合的产物。最后，通过以上研究，我们将对现代作家为了现实和人生而进行的重写历史有一个总体上的认识和把握，也将在主题、写作方式、写作者与时代的同构性之探索中，理解历史与现实坐标中的现代中国人之自我，获得“历史中间物”意识的启示。

There is a phenomenon of "rewriting" in the creation of modern Chinese novels. In fact, the rewriting by modern Chinese writers is a kind of "dialogue field" writing connecting history, reality and self. The image of "exiles" is one of the typical character series in the "rewritten" novels. "Exile" refers to a state of "heterogeneity", and "exiles" are people who are in "heterogeneity". There are three basic forms of "exiles" in the "rewritten" novels: elopement, being?exiled or self-exile, and fugitive. This thesis will sort out the prosperity of modern Chinese "rewritten" novels, summarize and discuss the concept and measure of "rewriting", sort out and summarize the modern Chinese "rewritten" novels which rewrite the image of "exiles", analyse the text linking reality, make a detailed analysis of the rewriting of "exiles" by modern Chinese writers, understand how it has become the product of the reality, ideology and historical traditions of the times. Finally, through the above study, we will have a general understanding and grasp of the "rewriting" for the sake of reality and existence by modern Chinese writers. We will also understand the self of the modern Chinese standing between history and reality in the exploration of the homogeneity of themes, writing methods, writers and the times, and gain the enlightenment of the consciousness as "historical marginal man".