经济与科技的发展、消费时代与互联网时代的到来，共同催生了山寨经济行为和山寨文化的产生。从制造业到文化产业，“山寨”现象几乎无孔不入，为我们制造了很多文化上的奇观。而作为艺术门类之一的电影，其创作也难逃山寨文化大潮的影响。近年来，从东方到西方，国际影坛出现了一股不容小觑的“山寨化”电影创作风潮。这些作品以戏仿、恶搞、拼贴某些经典文本或者流行现象为主要特征，呈现出一种媚俗化、狂欢化的整体风格。尤其值得我们注意的是，这种“山寨化”创作倾向，在正处于产业急速发展期的国产电影中表现得尤为明显。而随着这部分作品的大规模出现，影片本身所存在的问题也不断凸显。那么，针对具体影片对这些问题进行探讨，并给出可以改善创作状况的实践性建议，对于国产电影的健康发展，无疑具有非常重要的现实意义。本文绪论部分主要探讨了本文选题的现实依据。第一章从山寨文化入手，首先探讨其产生的社会背景及基本含义，继而对“山寨电影”的概念进行界定、对其特点进行总结。第二章主要用文本分析的方法，从叙事、影像、语言等方面对相关电影作品所存在的共性问题进行探讨，认为“狂欢”形态下的“山寨化”国产电影存在着主题模糊、逻辑失序、节奏失控、影像单一、语言单调、情感贫瘠、道德规范缺失等问题。第三章则着重从叙事和精神两个层面探讨能够解决上述问题的现实路径，认为山寨化国产电影创作只有从网络化思维回归电影化叙事，并加强对现实的关注和人性情感的深度挖掘，重构正面、积极的价值观和审美观，才能找到一条良性发展之路。结语部分结合现实背景对全文进行总结，认为：在网络时代所营造的泛娱乐化氛围中，国产电影出现“山寨化”创作倾向是必然的，而且必将在一定时间内持续下去，而只有积极改善创作中所出现的种种问题，才能使其走上一条良性、健康的发展之路。

With the development of economy and technology, and the arrival of consumer age and Internet times, shanzhai economic behavior and culture came into being. From manufacturing to culture industry, the pervasive "shaizhai" has been created lots of culture wonders for us. Naturally, as one category of art, the creation of movie also was involved in the effect of shanzhai cultural tide. In recent years, a strong wave of "shanzhai" movie creation tide appears in the international moviedom from the east to the west. Parodying, forcing and tiling some classical texts or popular phenomenon are its main characteristics; while its integral style displays kitsch and carnival. Special attention should be paid to its creative tendency, which is particular obvious in domestic movie industry which is developing rapidly. However, with the appearance of mass works, problems of themselves become more and more highlighting.In this paper, the introduction mainly discusses the realistic basis of topic selecting. Chapter one starts with shanzhai culture, following with discussing the background and basic meaning of its being, and then probes the definition of the concept of "shanzhai movie" and summarizes its characteristics. from the aspect of narrative, image, language and so on.Chapter two basically uses the method of text analysis to discuss common problems in related works It finds that under the state of“revel” “shanzhai” domestic movies exist many problems, such as vague theme, disordering logic, single image, missing rhythm, barren emotion, drab language and absent ethics. Chapter three emphatically focuses on finding a real path which can solve the above problems from two sides- narrative and spirit. And it points out that, if shanzhai“ domestic movie wants to find a benign development way, there is no choice except turning network thinking back to its filmic narrative, strengthening the attention of reality and depth to deeply excavate human nature, and reconstructing of positive values and aesthetics. According to the real background, the conclusion part make a summary of the whole paper, it concluded that: under the atmosphere of the recreation created by the network era, it is inevitable for domestic movies to appear "shanzhai" creation tendency and it must go on in a certain time. So only by improving those various problems during creation can we make it develop toward a positive and healthy way.