美国画家德·库宁在进行绘画的过程中善于用感性的认知进行绘画创作表现。作品中流露出人物的具体情感，创作过程中艺术家将头脑中直观的感受和内心想法情绪不加掩饰的表现在画布上，这样的绘画表达方式使他在创作中研究出诸多的成果。在他的作品中人物和背景难以得到有效的区分，人体形象在画面中不再是主要的视觉中心，这也使得人们对于画作中所隐藏的信息想要进一步的分析和了解，他的画风也受到当时的现代绘画主义影响。通过对人体的描绘，从人体身上获取情感以及情绪的碎片，通过绘画形式的表现方式，对感性的思考进行二次全面的加工，创造出一系列抽象的画作。抽象的作品表现，直接且充分传达精神世界的情状和意念，可以跳脱外在世界表象的依附而独立表现，帮助观者了解世界的真实，进而同观者对话、传情及倾诉。在20世纪中期，随着现代主义的兴起和新时代运动的到来，精神性开始获得独特性的意义和内涵，它开始被用于代替内在生命和心灵生命等词语，具体的含义指的是超越人类的正常生活内容，涉及到人文和生命思考的主题。通过深入研究分析艺术家精神化的视觉语汇表现，了解艺术家内部生命的思想、质量、格调以及精神状态之体现，这也更好的促使笔者挖掘在创作时内心真实需求和感受，表达自然而然的内心冲动，从而丰富自身艺术语言。

本文从德·库宁的绘画作品表现上，分析艺术家在创作过程中对于画面所投入的意识与无意识下的精神状态表现。绪论部分主要对抽象艺术的研究背景与现状进行了阐述，概括了德·库宁绘画作品研究的思路和方法，以及研究重点等问题。全文将深入了解艺术家德·库宁绘画创作生涯，结合其抽象艺术作品的画面形象和结构，进一步剖析德·库宁绘画时表现的内心精神状态和艺术作品的社会价值。从艺术形象的角度，针对艺术家潜意识和自身自卑感的表现层次进行全面的分析和了解，从艺术结构的角度，针对形象变化的含义进行全面的剖析解读。最后根据对德·库宁的绘画研究及其内在所传达的精神表现，借此来思考自身绘画实践过程中意识与潜意识层面的创作思维，更好的完成个人研究与学习。

American painter De Kooning is good at painting with perceptual cognition in the process of painting creation. The works reveal the specific emotions of the characters. In the process of creation, the artist shows the intuitive feelings in his mind and inner thoughts and emotions on the canvas, which enables him to research many achievements in his creation. In his works, it is difficult to distinguish the characters and the background effectively, and the human body is no longer the main visual center in the picture, which also makes people want to further analyze and understand the hidden information in the painting. His painting style is also influenced by the modern painting at that time. Through the depiction of the human body, emotion and emotional fragments are obtained from the human body. Through the expression of painting forms, emotional thinking is processed comprehensively twice, and a series of abstract paintings are created. Abstract works directly and fully convey the mood and idea of the spiritual world, which can be independently expressed without the attachment of the external world representation, helping the audience to understand the reality of the world, and then to talk, communicate and talk with the audience. In the middle of the 20th century, with the rise of modernism and the arrival of the New Age movement, spirituality began to acquire unique meaning and connotation. It began to be used to replace words such as inner life and spiritual life. The specific meaning refers to the content of normal life beyond human beings, involving the theme of humanism and life thinking. Through in-depth study and analysis of the visual vocabulary of artists' spiritualization, we can understand the thoughts, quality, style and mental state of the artists' internal life, which also better urges the author to explore the real inner needs and feelings during creation, express the natural inner impulse, so as to enrich his own artistic language.

Based on the performance of de Kooning's paintings, this paper analyzes the artist's mental state of consciousness and unconsciousness in the process of creation. The introduction part mainly expounds the research background and current situation of abstract art, summarizes the ideas and methods of de Kooning's painting work research, as well as the research focus and other issues. This paper will have an in-depth understanding of de Kooning's painting career, and further analyze the inner mental state and social value of de Kooning's paintings based on the image and structure of his abstract art works. From the point of view of artistic image, the artist's subconscious and their sense of inferiority are comprehensively analyzed and understood. From the point of view of artistic structure, the meaning of image change is comprehensively analyzed and interpreted. Finally, based on the study of de Kooning's painting and its inner spiritual expression, we can think about the creative thinking of consciousness and subconscious level in the process of painting practice, so as to better complete personal research and learning.