蒲松龄的《聊斋志异》塑造了众多“双美”形象。从搭配模式上看，“双美”形象由人、妖、仙、鬼多种类型的女性搭配而成，在气质、能力、性格的对比冲突中彰显着不同的气质，个性生动鲜明。从情感交往看，“双美”形象与男主角组成了一夫二妻、移花接木、一妻一友等多种交往模式，除却男欢女爱，更有无私奉献之情、知己之情和柏拉图式的精神相恋。而两位女性的交往，除了爱情竞争关系、妻妾关系，更有了知己情谊，甚至存在同性之恋。 《聊斋志异》“双美”形象的塑造继承自中国传统文学中的“一夫二妻”模式，但却更加瑰丽多彩。蒲松龄的创作心理虽然始终没有脱离古代男权思想，但他毕竟对女性生活和女性人格给予了更多关注，具有独特的文化价值。

Strange Tales from a Lonely Studio has created a large number of images of “Double Beauties”. From the perspective of collocation mode, "Double Beauties" is composed of human, demon, fairy and ghost, who shows different quality, temperament and ability, making characters vivid. From the perspective of emotional communication, two heroine and the hero form a variety of communication modes. Besides male and female love, there are selfless dedication, friendship and Platonic love. In addition to being two wives of the same man, the two women can be confidants and even a gay couple. “Double Beauties” in Strange Tales from a Lonely Studio is inherited from "A Male and Two Female" mode in Chinese traditional literature, but the images of them are more colorful. Although the creative psychology relates to patriarchal ideas, it has also paid more attention to the female’s life, which is still of unique value.