20世纪80年代改革开放为国家与人民带来无限发展机遇，又因为时代发展速度与人民需求变化的不匹配，引发诸多社会问题与精神隐患。改革开放推动城乡壁垒消失，农村人有机会进城发展，但城乡二元对立的现状使得农村人无法留在生存条件苛刻且上升渠道狭小的城市，他们成为徘徊在城乡间的“异乡人”，既无法留在城市，又与乡村格格不入。他们不知从何而来又该何去，许多“异乡人”陷入精神迷惘与困顿。

该时期的作家敏锐地察觉出这一社会问题，以城乡发展矛盾为着力点创作许多文学作品，展现城乡徘徊者在精神上的失落和痛苦。孙惠芬也是城乡主题写作的作家之一，出生乡村的她更能共情游离于城乡之间的农村人，女性身份与少时长期与女性长辈接触的经历使得她更容易注意到处于社会边缘的乡村女性。孙惠芬将写作目光投向新时期的乡村女性，刻画她们在农村的留守经历、在城市的拼搏与堕落、回归农村的迷惘与格格不入，丰满了新时期乡土文学的女性形象。

本论文首先简要介绍了孙惠芬的作品特色，以“关注社会边缘群体”这一特点引出孙惠芬作品中的乡村女性群体。随后按照留守乡村、出走去城市、回归乡村三种境况，将乡村女性分为七种形象，通过举出某个或者某几个女性的具体事例来阐述形象的具体内涵，同时带出乡村女性的真实遭遇。然后总结所阐述的乡村女性困境事例，得出“出不来、留不下、回不去”的结论。最后结合文本，从时代变革、社会文化、“他者”文化三方面分析乡村女性的困境成因。

本文的写作主题是新时期乡村女性面临留守、出走与回归三种选择所展露的人物形象，将新时期的乡村女性区分为留守、出走、回归三大类别与七种具体形象，旨在通过具体人物来探析七种乡村女性形象，并探究出走、留守与回归三种选择背后隐藏的女性困境，最后分析乡村女性的困境成因。

The reform and opening up in the 1980s brought unlimited development opportunities to the country and the people, but due to the mismatch between the pace of development and the changing needs of the people, it caused many social problems and spiritual hidden dangers. The reform and opening up have promoted the disappearance of urban-rural barriers, and rural people have the opportunity to enter cities for development. However, the current situation of urban-rural binary opposition makes it impossible for rural people to stay in cities with harsh living conditions and narrow channels for growth. They become "outsiders" wandering between urban and rural areas, unable to stay in cities and incompatible with rural areas. They don't know where they came from and where they should go, and many "foreigners" are trapped in spiritual confusion and distress.

During this period, writers were keenly aware of this social problem and created many literary works focusing on the contradiction between urban and rural development, showcasing the spiritual loss and pain of urban and rural wanderers. Sun Huifen is also one of the writers of urban and rural theme writing. Born in a rural area, she is more empathetic and able to wander between urban and rural areas. Her female identity and long-term contact with female elders during her childhood make it easier for her to pay attention to rural women who are on the edge of society. Sun Huifen's writing focuses on rural women in the new era, depicting their experiences of staying behind in the countryside, their struggles and corruption in the city, and their confusion and incompatibility in returning to the countryside, enriching the female image of rural literature in the new era.

This paper first briefly introduces the characteristics of Sun Huifen's works, and introduces the rural female group in Sun Huifen's works with the characteristic of "focusing on marginalized groups in society". Subsequently, according to the three situations of staying in the countryside, leaving for the city, and returning to the countryside, rural women are divided into seven types of images. The specific connotations of the images are explained by citing specific examples of one or a few women, while also bringing out the real experiences of rural women. Then summarize the examples of the difficulties faced by rural women and draw the conclusion that they cannot leave, stay, or return. Finally, combined with the text, analyze the causes of rural women's difficulties from three aspects: era changes, social culture, and "other" culture.

The writing theme of this article is the character images revealed by the three choices faced by rural women in the new era: left behind, left behind, and return. Rural women in the new era are divided into three categories: left behind, left behind, and return, and seven specific images. The aim is to explore the seven rural female images through specific characters, and to explore the hidden female difficulties behind the three choices of left behind, left behind, and return. Finally, the causes of the difficulties faced by rural women are analyzed.