近年来随着中国传统文化的复兴热，众多舞剧创作者已将中国文化中的诗意融入舞剧创作之中，然而在舞剧诗意化表达的实践中仍面临一些挑战。诸如如何界定舞剧诗意化表达的范围，如何在叙事和诗意化抒情之间寻求平衡，如何通过人物角色的塑造来凸显诗意化的效果，以及舞美设计如何增强诗意化？对这些问题的深入研究不仅能够加深观者对于舞剧诗意化表达的认识，也能促进舞剧实践创作中的探索和创新。因此本文以舞剧《冼星海》为个例，将围绕舞剧诗意化表达的艺术特征展开，从叙事结构、人物塑造和舞台空间三个维度入手进行深度剖析，探寻主创团队如何对其进行诗意化表达，以期创作出更契合当下大众审美的舞剧作品，为今后的当代舞剧创作提供参考。

In recent years, with the revival of traditional Chinese culture, many dance drama creators have integrated the poetry of Chinese culture into the creation of dance dramas, but they still face some challenges in the practice of poetic expression of dance dramas. For example, how to define the scope of poetic expression in dance drama, how to seek a balance between narrative and poetic lyricism, how to highlight the poetic effect through the shaping of characters, and how to enhance the poetic design of dance drama? Therefore, this paper takes the dance drama Xian Xinghai as an example, and will focus on the artistic characteristics of poetic expression of dance drama, and conduct an in-depth analysis from the three dimensions of narrative structure, character creation and stage space, and explore how the main creative team can express it poetically, in order to create a dance drama work that is more in line with the current public aesthetics, and provide reference for the creation of contemporary dance drama in the future.