日本电视剧行业采用编剧中心制，编剧拥有至高无上的话语权和决定权。坂元裕二作为日本当下最具代表性和影响力的电视剧编剧之一，被喻为“日本最会书写女性的男性”。他23岁便写下了日本电视剧史上的里程碑之作《东京爱情故事》，塑造了赤名莉香这一率真活泼、敢爱敢恨的经典新女性形象。此后的职业生涯中坂元裕二共创作了二十余部作品，如《女王直播室》《最完美的离婚》《Mother》《问题餐厅》等。其作品全部由女性角色主导，注重从女性角度出发，建构女性主体意识，关怀女性群体生存状态，具有很强的社会性别批评价值。社会性别是以文化为基础、以符号为特征判断的性别，它从社会文化形成与变迁的角度阐释了男女之间差异的生成。社会性别认为两性间气质的差异与地位的失衡不是生理性别的产物，而是社会话语的产物，而这种话语代表一种权力，是一种规范着人类社群关系建构的规则与力量。 本文以社会性别理论和媒介与性别相关研究作为理论基础，结合电视艺术学、传播学、社会心理学等学科思想，选取坂元裕二知名度较高的十部电视剧作品中的主要女性形象作为研究对象。通过深度剖析坂元裕二作品中女性身份形象的多元化建构以及女性社会地位的话语重塑，论证传者性别意识的媒介表达对社会文化产生的影响。 论文共分为五个部分、三个章节。绪论部分主要阐述了本文的研究背景和意义，梳理了社会性别理论的发展历程、坂元裕二的创作经历与相关研究概况。论文第一章从个人范畴、家庭空间、公共领域三个维度来详述坂元裕二对于女性自然属性与社会属性的多维度建构。论文第二章选取人物内心独白、作品中的季节意象捕捉、女性人物弧光搭建三个角度具体阐述了坂元裕二在建构女性形象时所特有的文本书写手法。论文第三章以社会性别理论的批判思想为出发点，详述了坂元裕二在创作过程中的性别意识传达，即通过对女性形象进行话语赋权、对男性形象进行话语重塑，消解大众对两性的刻板印象，从而实现社会性别关系从二元对立到去元相通，最终实现人性的回归与张扬。结语部分总结了将社会性别理论引入对坂元裕二作品研究的整体意义，并希望通过对坂元裕二作品中的女性形象的建构维度与性别意识的话语表达的论述与分析，为我国电视剧作品中的女性形象塑造以及女性意识表达提供一定的借鉴价值。

The Japanese TV series industry adopts a scriptwriting center system, and the screenwriter has the supremacy of voice and decision. As one of the most representative and influential TV series writers in Japan, Yuzi Sakamoto is hailed as “the most male man who writes women in Japan”. At the age of 23, he wrote the milestone in the history of Japanese TV series "Tokyo Love Story", which shaped the image of the famous new female who is lively, dare to love and hate. In the subsequent career, Yuzi Sakamoto created more than 20 works, such as "Queen's Live Room", "The Perfect Divorce", "Mother", "Problem Restaurant" and so on. His works are all dominated by female characters, focusing on the female subject, constructing female subjective consciousness, caring for the female group's living status, and having strong gender criticism value. Gender is a gender based on culture and characterized by symbols. It explains the generation of differences between men and women from the perspective of social culture formation and change. Gender believes that the imbalance between temperament and status is not a product of physiological gender, but a product of social discourse, and this discourse represents a kind of power, a rule and force that regulates the construction of human community relations. Based on the theory of gender and media and gender-related research, this paper combines the disciplines of TV art, communication and social psychology to select the main female images in the ten TV series with high popularity. Through in-depth analysis of the diversified construction of female identity image in the works of Yuzi Sakamoto and the reinvention of women's social status, the paper discusses the influence of the media expression of the gender consciousness on the social culture. The paper is divided into five parts and three chapters. The introduction part mainly expounds the research background and significance of this paper, and combs the development history of gender theory, the creation experience of Yuzi Sakamoto and related research. The first chapter of the thesis elaborates on the multi-dimensional construction of women's natural and social attributes from three dimensions: personal category, family space and public domain. The second chapter of the thesis selects the inner monologue of the characters, the seasonal image capture in the works, and the arc of the female characters to elaborate the text writing techniques unique to Yuzi Sakamoto in constructing the female image. The third chapter of the thesis takes the critical thought of gender theory as the starting point, and elaborates the gender consciousness communication of Yuzi Sakamoto in the process of creation, that is, through the discourse empowerment of female images, the re-remodeling of male images, and the elimination of public gender. The stereotype, thus achieving the gender relationship from the binary opposition to the meta-communication, and ultimately achieve the return and publicity of human nature. The conclusion part summarizes the overall significance of introducing the theory of gender into the study of Yuzi Sakamoto's works, and hopes to discuss and analyze the discourse expression of the female image in the works of Yuzi Sakamoto's works and the female in the TV series in China. Image shaping and female consciousness expression provide certain reference value.