遗产化研究对理解遗产生成和推动遗产的当代实践具有重要意义。针对目前学界在遗产化研究中对多主体互动视角的探讨尚显不足的问题，本文以智化寺京音乐为个案，分析遗产化过程中各遗产主体互动的方式，以及多主体互动为遗产化过程带来的影响。本文认为，遗产化中的多主体互动受到官方话语较大的影响，政府在遗产化过程中发挥主导作用。同时，不同主体在官方话语的规范之下调整自身的行为，在多方面的互动中通过积极或消极的方式最大限度地利用遗产、塑造遗产。不同于以往遗产批判研究中对官方话语多持批判态度，本文则认为官方话语主导的遗产化具有多元影响：其在筛选遗产内容、规约其他遗产实践主体自主性和主体义务的同时，也保证了遗产的传承、赋予了主体合法性身份并为之带来诸多象征资本。

不同的遗产保护与享用主体间的互动关系，推动着智化寺京音乐各个阶段的遗产化过程。京音乐的当代面貌，有赖于不同主体在京音乐遗产化历史中对其进行的筛选与改造。而在时代与主体需求下的遗产化后的京音乐，又呼吁着全新类型主体的传承与保护。本研究通过 对京音乐的遗产化过程进行细致考察，探讨了多类遗产主体在实践与互动中的关系，并关注文化遗产在当代的生存现状与未来可能的发展。

The reflection of heritagization is of great significance to understand the generation of heritage as well as promote the practice of it. At present, in view of the lack of multi-subject interaction perspective in the study of heritagization reflection in the academic circle, this study will take Zhihua Temple music as a case to analyze the interaction mode of various heritage subjects under the guidance of official discourse and the influence of multi-subject interaction on the process of heritage. This study holds that This paper argues that the multi-agent interaction in heritagization is greatly influenced by official discourse, and the government plays a leading role in the process of heritagization. In entanglement and interaction, different subjects adjust their own interests according to the statutes of official discourse, use and shape heritage to maximum through positive and negative ways. Different from the previous criticism of official discourse in the study of heritagization criticism, this study argues that the heritagization dominated by official discourse has multiple influences.While standardize other heritage practice subjects, it also gives the subjects a legitimate identity, which not only binds the subjects and the heritage image, but also brings a lot of symbolic capital to the subjects.

The interactive relationships between different heritage protection and enjoyment subjects promote the heritage process of Zhihua Temple Music in various stages. The contemporary appearance of the music in Zhihua Temple depends on the screening and transformation of different subjects in the heritagization history of Zhihua Temple music. The heritagization of Zhihua Temple music under the demands of the times and the subjects also calls for the inheritance and protection of new types of subjects. This study will examine the heritagization process of Zhihua Temple music in detail, analyze the relationship between various types of heritage subjects in practice and interaction, and pay attention to the survival status and possible future development of cultural heritage in the era.