抗日战争以来，文艺界对创作的政治性与文学性的要求全面提高。作为四十年代的青年作家，路翎塑造了大量鲜活复杂的知识分子形象，致力于探索宏大时代下个体的搏斗经验。路翎的生命体验、文学观念与其笔下的知识分子形象构成了镜像关系，共同映射出现代知识分子在时代宏音与个体追求的缝隙间伤痕累累的灵魂。罪感意识啮咬着知识分子的内心，呈现出自厌自弃、自我审判、流亡毁灭等精神特征。本文力图解决两个问题：首先，探究路翎罪感意识的生成路径，结合其生平经历、书信与评论文章剖析路翎的精神特质、生存焦虑与创作焦虑，并从精神资源的角度探究外来文学与前辈引领如何影响了路翎“受难-献身”的艺术审美。在此基础上，深入探索路翎四十年代的两部作品《财主底儿女们》和《云雀》中知识分子群体不同的罪感意识，分析赎罪行为的动机和价值。

Since the war of resistance against Japan, the literary and art circles have required the works to be both highly literary and political. Lu Ling, a young writer in the 1940s, created a large number of intellectual images and explored the individual struggle experience in the grand history. Lu Ling's life experience, literary concept and his intellectual image constitute a mirror relationship, which jointly reflects the scarred soul of modern intellectuals. The consciousness of guilt tortures the hearts of intellectuals. They have the tendency of self loathing, self judgment, self destruction and so on. This paper tries to solve two problems: first, explore the generation of Lu Ling's sense of guilt, analyze Lu Ling's spiritual characteristics, survival anxiety and creative anxiety combined with his life experience, letters and critical articles, and explore how foreign literature and idols affect Lu Ling's artistic aesthetics of "suffering dedication" from the perspective of spiritual resources. On this basis, this paper deeply analyzes the different sense of guilt of young people in Lu Ling's two works in the 1940s, the children of the rich and the skylark, and explores his dark and profound state of repentance and Atonement choice.