铁舟德济（？——1366年）是日本五山时期的著名诗僧，但相关研究在国内仍属空白，铁舟曾在日本正中年代(1324—1326年)入元朝禅习，所作汉诗收录于《阎浮集》。他的诗歌深受中国文学与地域影响，结合其入元朝禅习的经历，可供考察中国文学与地域对五山汉诗的影响，丰富五山诗的研究个案。 论文以铁舟汉诗为研究对象，梳理他与中日诗僧的关联及禅林对他诗作的评价，在此基础上分析铁舟诗歌“诗禅一味”的特征。此外本文重点考察铁舟诗里的“中国影响”，包括中国文学和地域的影响，所涉内容包括诗集里中国诗人的形象、诗歌化用的情况以及神话传说的出现，同时论文以跨学科视角关注他诗歌与画作的关联，分析了中国绘画对铁舟诗的影响。 论文引言阐明选题的背景、意义和先行研究情况，并述研究方法与特色，正文部分包括三个章节： 第一章是铁舟德济与《阎浮集》的介绍，对诗人的介绍以禅宗派系和相关的中日僧人为线索，前者指向铁舟诗的“禅味”特质，后者明晰铁舟诗作在禅林的影响。关于《阎浮集》，论文按照诗集中的分类进行介绍，在此基础上讨论铁舟作品“诗禅一味”的特征、原由与表现形式。 第二章以“内部研究”视角分析铁舟诗所受中国文学的影响，内容包括陶渊明、黄庭坚的形象以及《阎浮集》中诗歌化用的标准，对于铁舟诗歌多用神话传说的特点，论文结合作品对其中的“月宫神话”意象群进行了分析。 第三章呈现的是铁舟诗的纪实性与跨学科性。论文首先结合诗中出现的地域信息，梳理他对中国地域的书写，同时选取《阎浮集》里的园林诗进一步考察铁舟诗歌的纪实性，最后将铁舟诗歌与画作对照关联，考察他诗里中国绘画的影响。

Tiezhou Deji (? - 1366) was a famous monk and poet in the period of Wushan in Japan, but studies on him and his poetry are still lacking in China. During the Yuan Dynasty, Tiezhou came to China to study Zen and wrote many Chinese poems, which were compiled in The Collection of Yanfu. Since Chinese literature and Chinese regional characteristics had made a felt impact on his poems, The Collection of Yanfu serves as an example to investigate the Chinese influence exerted upon the Japanese Chinese poems in the Wushan Period, thus enriching studies of the literature of that time. This thesis takes the Chinese poems of Tiezhou into scrutiny, focusing on his relationship to Chinese and Japanese poets and monks, analyzing the characteristics of Tiezhou’s Zen poems. Furthermore, this writing concentrates on the “Chinese influence” in these poems, which includes the image of Chinese poets and Chinese myths and legends. Next, the poems celebrating gardens in The Collection of Yanfu display a documentary characteristic of the poem in the Wushan Period. Finally, the writing examines the relationship between the poems and paintings of Tiezhou to reveal the influence of Chinese painting on his poems. The introduction part involves the background and significance of this topic and latest researches in this field, and then presents its research methods. The main body consists of three chapters: Chapter one introduces Tiezhou Deji and his Collection of Yanfu from the aspects of his Zen religion and monks related to him, the former aiming to clarify the Zen characteristics in his poem creation, the latter aiming to demonstrate Tiezhou’s influence on the Zen poetry. Then the writing introduces The Collection of Yanfu in the fashion of the classification of the poet, on the basis of which to discuss the origin, features and expression of “the fusion of poetry and Zen” in Tiezhou. Chapter two expounds on the influence of Chinese literature on Tiezhou’s poetry from the standard in his rewriting the image of Tao Yuanming and Huang Tingjian, and then analyses the constellation of the images of the Moon Palace, which corresponds to Chinese moon myths. Chapter three looks in general into the documentary elements and the interdisciplinary nature of Tiezhou’s poetry. This part first sorts out the regional writing of China in The Collection of Yanfu; then investigates the documentary elements in the poems celebrating gardens; finally relates his poems to his paintings to explain the influence of Chinese painting on his poems.