“敬重”是康德道德哲学中一个非常重要的概念，作为一种道德情感其在人这一有限理性主体的道德实践过程中与道德律共同发挥着举足轻重的作用。一方面，它为人们践履道德法则提供了足够的情感动力，另一方面，它也在协调人同时作为理性存在与感性存在的二重性中起着至关重要的作用。在《判断力批判》中，康德将这一概念引入崇高论这一部分，借助敬重与崇高的亲缘性关系发挥其在美学领域的作用。这种亲缘性一方面表现为两者既在诸多方面存在相似但又有不同，另一方面，在崇高论当中敬重又是作为崇高的基础而出现的。敬重通过与崇高及构成这一崇高的想象力和理性的多元互动揭示出这一审美形态的道德维度及人作为感性存在者的同时通达理知世界的可能。本文以情感为抓手，从美学视域出发探讨敬重理论及相关问题。通过尝试解决相关疑问以期揭示出敬重在协调人的二重性、沟通感官世界与理知世界以及联结善与美两大领域中的重要作用。

"Respect" is a very important concept in Kant's moral philosophy. As a kind of moral emotion, it plays an important role together with moral law in the moral practice of man, the subject of limited rationality. On the one hand, it provides enough emotional motivation for people to practice moral laws. On the other hand, it also plays a vital role in coordinating the duality of rational existence and perceptual existence. In Critique of Judgment, Kant introduced this concept into the theory of sublimity, and played its role in the field of aesthetics with the help of the kinship between respect and sublimity. On the one hand, this affinity shows that there are similarities but differences between them in many aspects. On the other hand, in the theory of sublimity, respect appears as the foundation of sublimity. Respect reveals the moral dimension of this aesthetic form and the possibility that people, as perceptual beings, can reach the world of rational knowledge at the same time by interacting with the sublime and the imagination and rationality that constitute this sublime.Based on emotion, this paper discusses the theory of respect and related issues from the aesthetic perspective. By trying to solve the relevant questions, we hope to reveal the important role of respect in coordinating the duality of people, connecting the sensory world with the rational world, and connecting the good and the beautiful.