本文通过文献研究法将普罗科菲耶夫《罗密欧与朱丽叶》Op.75的相关资料进行搜集整理和研究，再通过经验总结法，将实践演奏该作品中的具体情况，进行归纳与分析，使之系统化，理论化。大致从四个方面进行阐述：首先，粗略介绍莎士比亚剧作《罗密欧与朱丽叶》及普罗科菲耶夫音乐版本《罗密欧与朱丽叶》创作背景。其次，通过分析普罗科菲耶夫传统曲式运用、大小二度及调式调性变化产生的对钢琴新音响探索、抒情性旋律和托卡塔节奏等，对普罗科菲耶夫主要创作特点在钢琴套曲《罗密欧与朱丽叶》中的体现做探究。再者，在实际演奏中结合《罗密欧与朱丽叶》中的音乐形象，从触键、踏板、指法三个方面探究该钢琴套曲演奏技法。最后，总结钢琴套曲《罗密欧与朱丽叶》在教学与演奏中的意义和价值。 本文希望以普罗科菲耶夫钢琴套曲《罗密欧与朱丽叶》Op.75为例，帮助更好地诠释普罗科菲耶夫钢琴作品，并进一步理解依据戏剧进行改编的钢琴作品。

This paper collected, sorted out and studied the relevant materials of Prokofiev's Romeo and Juliet （Op.75）. It will be elaborated from four aspects: Firstly, a briefly introduction of the background of Shakespeare's Romeo and Juliet and Prokofiev's music version. Secondly, through the analysis of the application of Prokofiev's traditional musical style, the exploration of the piano's new sound, melody and rhythm generated by the change of the size and the tonality of the style, this paper explores the main creative characteristics of Prokofiev in the piano divertimento Romeo and Juliet. Furthermore, combining the music image in Romeo and Juliet in actual performance, this paper explores the piano divertimento playing techniques from the three aspects of touch, pedal and fingering. Finally, summarize the significance and value of piano divertimento Romeo and Juliet in teaching and performance. This paper hopes to take op.75 of Prokofiev's "Romeo and Juliet" as an example to help better interpret Prokofiev's piano works and further understand the piano works adapted according to the drama.