以迟子建小说灵性书写对象及灵性书写原因为切入点，探究迟子建小说灵性书写的宏观策略及具体手法，并探究这些策略和手法对其小说诗意建构的艺术价值。第一章从灵性书写对象、灵性观的内涵和灵性书写的原因三方面探讨迟子建的灵性观。第一节从灵性的事物、通灵的人物和空灵的意境三个方面例证迟子建灵性书写的对象包罗万象。第二节从道法自然随顺天性的智性良知、万物有灵众灵有情的创作思维和超越平实追求灵动的审美理想三方面来揭示迟子建灵性观的内涵。第三节从东北独特地域文化的熏染、“万物有灵”思想光辉的烛照和自身心理需求及名家灵性书写的影响三方面探究迟子建灵性书写的诸多因素。第二章从灵性素材的建构与运用、具体物象的人格化书写、通灵人物的神性书写和神秘事件的灵性书写四个方面来研究迟子建灵性书写宏观策略和具体手法。第一节从神话、传说与故事的穿插叙述、灵性意象的隐喻建构和空灵意境的想象营造三方面来探究迟子建小说灵性素材的建构与运用策略。第二节从以人称物及与物对话或独白、灵性视角叙事和微观物语的灵性表述三方面论述具体物象的人格化书写策略。第三节从灵验言论的前呼后应、灵性十足的梦境描绘、通灵仪式的庄严呈现三方面探究迟子建通灵人物的神性书写策略。第四节从鬼神出没的虚构示现、灵验情节的结构独运和难忘异事的想象追忆三方面探究神秘事件的灵性书写策略。第三章从陌生化——开启独特审美体验和批判的双线之旅；消解苦难——打开人与自然、他人与自身的和谐之门；诗化叙事——架起歌咏爱与美好生活的彩虹之桥三大方面论述了迟子建灵性书写的诗学价值。结论：迟子建的小说诗意建构主要手段在于灵性书写，灵性书写具有多种有效的宏观策略和具体手法，并产生了丰富而鲜明的诗学价值和美学意义。

S tar ting from the objects and reasons for spiritual writing in Chi Zijian's novels, this article explores the macro strategies and specific techniques of spiritual writing in Chi Zijian's novels, and explores the significance of these strategies and techniques in constructing the poetic meaning of his novels.
The first chapter explores Chi Zijian's spiritual views from three aspects: the object of spiritual writing, the connotation of spiritual views, and the reasons for spiritual writing. The first section demonstrates that Chi Zijian's spiritual writing covers a wide range of objects from three aspects: spiritual things, spiritual characters, and ethereal imagery. The second section reveals the connotation of Chi Zijian's spiritual view from three aspects: the intellectual conscience of the natural obedience of the Tao, the creative thinking of all beings with spirits and emotions, and the aesthetic ideal of transcending simplicity and pursuing spirituality. The third section explores the many factors behind Chi Zijian's spiritual writing from three aspects: the influence of the unique regional culture in Northeast China, the shining candle of the idea of "all things have spirits", the psychological needs of oneself, and the influence of famous spiritual writing.
Chapter 2 studies Chi Zijian's macro strategy and specific techniques in spiritual writing from four aspects: the construction and application of spiritual materials, the personalized writing of specific objects, the divine writing of spiritual characters, and the spiritual writing of mysterious events. The first section explores the construction and application strategies of spiritual materials in Chi Zijian's novels from three aspects: the interspersed narration of myths, legends, and stories, the metaphorical construction of spiritual imagery, and the imaginative creation of ethereal imagery. The second section discusses the personalized writing strategies of specific objects from three aspects: using individuals and objects, dialogue or monologues with objects, narrative from a spiritual perspective, and spiritual expression of micro object language. The third section explores the divine writing strategies of Chi Zijian's spiritual characters from three aspects: the echo of spiritual statements, the depiction of spiritual dreams, and the solemn presentation of spiritual rituals. The fourth section explores the spiritual writing strategies of mysterious events from three aspects: the fictional manifestation of ghosts and gods, the unique structure of spiritual plots, and the imaginative recollection of unforgettable events.
The third chapter starts a double journey of unique aesthetic experience and criticism from defamiliarization; Resolving suffering - opening the door to harmony between humans and nature, others and oneself; The poetic narrative - building a rainbow bridge to sing about love and a beautiful life - discusses the poetic value of Chi Zijian's spiritual writing from three aspects.
Conclusion: The main means of constructing poetic meaning in Chi Zijian's novels lies in spiritual writing, which has various effective macro strategies and specific techniques, and has produced rich and distinct poetic value and aesthetic significance.