内 容 摘 要

中国近代画坛有一个"另类"的艺术群体被称为"海派"，它崛起的非常迅速，所谓的"另类"是因为在定义中具有模糊性不确定性，在组织形式上又是松散的;虽称为海上画派却又吸纳江浙等地区的艺术家。海派作品画风多变且类型复杂。

本文主要从海派绘画的传统历史渊源，对画家作品风格特点比较分析，梳理发展脉络，并结合了当时社会政治文化对其绘画进行了解读，阐释了海派绘画与明清绘画传承关系及其异同。本文的重点是总结并分析了海派的发端，发展，成熟的三个时期，包括每一个时期的代表画家的作品风格和精神内涵，以及海派绘画对后世的影响。其对中国传统绘画向现代绘画转型的起了重要作用。

海上画派是中国绘画史上特殊产物，海派绘画作品具有明显的商品属性。本文同时讨论了海上画派所面临的文化新挑战，比如，文人画经过不同时期的锤炼，解构，再重组，形成新的体系以及社会现代化的进程促使一元绘画多层次语言形成。最终，画家作为独立个体具有自我超越精神，坚守中国文化立场是国画传承之本。

There is an "alternative" art group called "Shanghai school" in the modern Chinese painting world. It rises very quickly. The so-called "alternative" is because of the ambiguity and uncertainty in the definition and the loose organizational form. Although it is called the “Shanghai painting school”, it also absorbs the artists from Jiangsu province ,Zhejiang province and other regions. The style of Shanghai style works is changeable and the types are complex.

The style characteristic of Shanghai school is comparatively discussed in this article,from the traditional historic perspective,its developing glue is summarized ,combined with the social historic culture of that time .It also elaborates the relationship and difference of Shanghai school and the school of mingqing dynasty .The main point is summarizing the three period of beginning ,developing ,mature, the style and spiritual intention of representative painter of each period  are included ,which influenced a lot till now.It makes an important role in transition from Chinese traditional painting to modern painting.

Shanghai School of painting is a special product in the history of Chinese painting. The works of maritime painting school are facing new cultural challenges. "I" is the real master of the painting. Adhere to the "independence" of painting can better create more new works with clear views. The "self" personality is realized and the meaning of art is fully expressed. After different periods of tempering, deconstruction and reorganization, literati painting has formed a new system. The process of social modernization promotes the formation of multi-level language of unitary painting. As an independent individual, painters have the spirit of self transcendence. Sticking to the position of Chinese culture is the foundation of inheriting traditional Chinese painting.