本文着力于挖掘顾城诗歌中的“黑色意象”所蕴涵的意义。通过对顾城不同诗歌的解读发现，“黑色意象”象征了反抗、希望、孤独、创伤、矛盾等多层面的丰富涵义，其中，黑色与希望是彼此矛盾又相互依存的关系。顾城从少年时代已经开始写诗歌，对自然有着天性的热爱与亲近，他刻意地建立了一个充满梦幻和童稚的诗歌国度，并一直努力维护着它。而“黑色”作为他诗歌里一种特殊的意象似乎与之是不相协调的，使这个童话诗歌世界弥漫着忧伤的基调。这种忧伤淡而沉重，是诗人生命个体的追问与挣扎，打上了深刻的时代烙印。 本文分章节对顾城诗歌中的“黑夜”、“黑色天空”、“黑眼睛”进行分析，深化对“黑色意象”的整体认知。最后，用日本诗人的诗歌作为参照，试图解读诗人的死亡境遇。

This thesis focused on thinking over a theme that often appeared in Gu's poems, which had given the writer a deep impression. The theme about “the black vision” , and its meaning in Gu's poems. After reading many of his poems, the writer realized that the theme includes meanings like rebel, hope and solitude. Black, in other word, darkness and hope is always together, like the two faces of a coin. Gu Cheng started writing poems since his teenage, we could find he used many 'black' or 'dark' wordings and phrases in the poems written at that time. It seemed that the theme came naturally from inside his heart and soul. In analysing the phrases like “dark night”, “black sky” and “black eyes” as the main parts; further examined the details through the feelings observed after reading the poems as the minor parts. We conclude that this black vision was the basic theme in this world of modern poems. At the final part, the writer tried to use a Japanese poem to try to guess how the poet died. The poet found his faith and then lost it. The moment he lost his faith, he forgave the people and the society