在当代作家中，张承志是比较特殊的一位，不仅仅是因为他在当代文学中的独特性，更因为他一生中多次的文化身份的转变。受到来自社会、政治、宗教以及个人经历的互相影响和渗透，张承志创作生涯里的文化心态呈现出一种常变和摇摆的状态。他个人也经历了“红卫兵——知青——学者——穆斯林信仰者”这样的多重身份转变。根据这种转变，本文分为三个部分，分别研究以张承志的创作心态在文本中的表现划分出的三个阶段：张承志早期作品中传达的汉文化价值理念为第一部分，以《黑骏马》和《北方的河》为例；出于对草原的热爱以及对城市现代文明的排斥所进行的草原叙事为第二部分，主要从《黑骏马》和《金牧场》两部作品出发；回归母族文化身份后所表现出的对伊斯兰文化的认同为第三部分以《心灵史》及《心灵史》后的散文创作为依据。拟从他的作品文本出发，探讨他在创作中的多次文化心态变迁的表现和原因。

Among contemporary writers, Cheng-zhi zhang is a special one, not only because of his uniqueness in contemporary literature, but also because of the change of cultural identity many times in his life. Influenced and permeated by social, political, religious and personal experiences, Cheng-zhi zhang's cultural mentality in his creative career presented a state of constant change and swing. He has also experienced the multiple identities of "red guards - educated - scholars - Muslim believers". According to this change, this article is divided into three parts, respectively, to study by cheng-zhi zhang's creation mentality in the text divided into three stages: early works convey Cheng-zhi zhang's culture value concept for the first part, with the "black horse" and "north river" as an example; The grassland narration is the second part for the love of the grassland and the exclusion of urban modern civilization, and it mainly starts from the two works of black beauty and golden pasture. The identification of islamic culture after the return of the mother's cultural identity is the basis of the third part, which is based on the prose creation of "the history of the mind" and "the history of the heart". Based on the text of his works, the author discusses the performance and reasons of the change of cultural mentality in his creation.