《道林·格雷的画像》是19世纪唯美主义的代表人物——英国作家奥斯卡·王尔德唯一的一部长篇小说，由希腊神话皮格马利翁的故事阐发而来的皮格马利翁情结贯穿全文。但王尔德并非是机械地沿袭“皮格马利翁”神话的故事架构，而是在皮格马利翁情结的基础上进行了唯美主义的反叛，呈现出“反情结”的倾向。本文以《道林·格雷的画像》为研究对象，综合运用理论研究和文本细读的研究方法，从四个方面进行论述：第一章针对皮格马利翁情结进行神话原型分析以及归纳概括，第二、三章深入微观层面围绕皮格马利翁情结与几个人物之间的关系探究文本，第四章从宏观层面结合王尔德唯美主义和波德莱尔象征主义的理论观点，探寻王尔德以死亡和毁灭的方式追求唯美主义理论背后所隐藏的深层矛盾和道德困境。

The Portrait of Dorian Gray is the only novel of Oscar Wilde, the representative of aestheticism in the 19th century. Pygmalion complex, which is derived from Pygmalion's story in Greek mythology, runs through the whole text. However, Wilde did not mechanically follow the story structure of Pygmalion myth, but carried out aestheticism rebellion on the basis of Pygmalion complex and showed the tendency of "anti-complex". This paper takes the Portrait of Dorian Gray as the research object, comprehensively uses the research methods of theoretical research and close reading of the text, and discusses from four aspects: The first chapter analyzes and generalizes the mythological archetype of Pygmalion complex; the second and third chapters delve into the relationship between Pygmalion Complex and several characters at the micro level to explore the text; the fourth chapter combines the theoretical viewpoints of Wilde's aestheticism and Baudelaire's symbolism at the macro level. Explore the deep contradictions and moral dilemmas behind Wilde's pursuit of aestheticism in the form of death and destruction.