中国社会城市化进程正在加速，而与之相对应的城市文学的发展尚在起步阶段。就诗歌创作而言，传统诗意始终对抗着现代诗意，城市、现代生活尚未完全入诗。在一大批以怀古、思乡、咏物为主题的现代诗中，真正意义上的城市诗歌凤毛麟角。 本文探讨现代诗意的诞生，将以城市为切口，首先阐释城市的意义与价值：一方面，它剔除了大自然中不舒适的因素，是人类为自己创造的理想家园；另一方面，和泥土里长出来的乡村不同，它像一块石头，缺乏原始的生命力，在人与人之间制造古怪的隔阂，具有反自然、反抒情特质。 城市的产生和发展，打破了人与自然的调和，摧毁了古典诗意存在的基础：时空关系发生变化，对永恒的追求转化为对飘忽不定、瞬间美的感受；意象体系彻底更新，层出不穷的发明创造令时尚与诗联系在了一起；人际关系极大改变，熟人社会过渡到陌生世界，素昧平生、永不再见的邂逅使瞬间体验达到顶峰；"阴-阳"式的二元结构瓦解，碎片化、欲望化的现代节奏不再遵循格律，而是现代人的"呼吸"。总之，城市、现代生活为诗歌提供了全新的时空关系、意象体系、节奏速度。种种改变背后是对传统的、天然诗意的彻底颠覆，城市的"反诗"属性本身就是对新诗最严峻的考验。 对此，本文运用城市生理学的概念，结合具体诗歌文本，复原城市这座"石头城"的生命力，捕捉真正意义上的现代诗意。用一种比喻的方式，将城市比做一个活的人体，将城市景观比做它的肢体、器官，把它存在的问题比做活体的病变，使街道、广场、居室、下水道变成流动的血脉、热闹的嘴巴、孤独的心脏、幽处的荷尔蒙，从而赋予城市以生命的温度。 最后，本文将从创作诗学角度阐释诗人的创作，提出诗人的理想。面对现代性主题的缺失、表达的困难，诗人首先要确保自己的目光抵达城市的深处，而不是对现象做浮光掠影的刻录；其次，诗人要创造自己的语言，无关"口语"、"书面语"，而是能体现个性化节奏的、只属于诗人自己的语言。总之，诗人既要关注"此时此刻"，复活城市的价值与意义，又要关注"明天"，让诸如互联网、VR等全新的虚拟体验入诗。

The process of urbanization in China's society is accelerating, and the corresponding development of urban literature is still in its infancy. As far as poetry creation is concerned, traditional poetry is always against modern poetry, and cities and modern life have not yet been completely poetry. In a large number of modern poems with the theme of nostalgia, homesickness, and stolen things, the real urban poetry is rare. This article explores the birth of modern poetry and will use cities as an incision to first explain the meaning and value of the city. On the one hand, it removes uncomfortable factors in nature and is an ideal home for humans to create for themselves; on the other hand, Different from the villages that emerged in it, it resembles a stone, lacks original vitality, and creates bizarre barriers between people. It has anti-natural and anti-lyric traits. The birth and development of the city broke the harmony between man and nature and destroyed the foundation of the existence of classical poetry: changes in the relationship between time and space, the pursuit of eternal transformation into a feeling of erratic and transient beauty; the image system has been completely updated, an endless stream of inventions and inventions. Fashion and poetry are linked together; interpersonal relationships are greatly changed, and acquaintances' society is transitioned to a strange world. Suddenly, never seen again, the embarrassment of instant experience is at its peak; the "yin-yang" dual structure collapses, fragmentation, The modern rhythm of desire is no longer following the metrics, but the "breathing" of modern people. In short, urban and modern life provide poetry with a new spatio-temporal relationship, imagery system, and rhythm speed. Behind all these changes is the complete subversion of traditional and natural poetics. The city's "anti-poem" nature is itself the most severe test of new poetry. In this regard, this article uses the concept of urban physiology, combined with specific texts of poetry, to restore the vitality of this "Stone City" of the city, and capture the true meaning of modern poetry. In a metaphorical way, the city is likened to a living human body, and the city landscape is likened to its limbs and organs. Its problems are compared to the pathological changes of living organisms, making streets, squares, houses, and sewers fluid. The blood, the lively mouth, the lonely heart, and the stigmatizing hormones give the city life temperatures. Finally, this article will explain the poet's creation from the perspective of poetics and put forward the poet's ideal. In the face of the lack of modernity themes and difficulties in expression, the poet must first ensure that his eyes reach the depths of the city, rather than burn the phenomenon of burning; Second, the poet to create their own language, has nothing to do with "spoken", "written language "It is a poet's own language that can reflect individualized rhythms. In short, the poet should not only pay attention to "this moment", reviving the value and significance of the city, but also pay attention to "tomorrow" and allow new virtual experiences such as the Internet and VR to enter poetry.