画像石作为一种融雕刻和绘画于一体的艺术形式，是汉代最重要的美术遗存。对汉代以后的艺术产生了巨大而深远的影响，在中国美术史上占有重要地位。山东嘉祥武氏祠出土了大量的关于孝子、忠臣、节妇、义士、烈女等题材的历史故事画像石，具有很强的代表性和时代特征。该文运用图像分析法、文献综述法等方法从文化、艺术手法、题材意义等方面总结武氏祠画像石对后世的艺术方面的影响，鼓励人们在学习武氏祠画像的过程中摒弃儒家文化中的思想糟粕，继承忠孝节义思想的精髓，加深人们对中国传统美德的认识。

The portrait stone is a kind of art work that melts carvings and painting at the integral whole, the most important art of Han Dynasty to loose to save.Vs Han Dynasty later art creation huge but profound impact, occupy an important stance in Chinese art history.The Jia Xiang Wu Shi Ci of Shandong sprouted the historical story concerning topics, such as filial son, loyal minister, chaste woman, righteous person and heroic women...etc. of mass as the portrait stone of topic and had very strong representative and age character.This text has a foothold to tally up Wu Shi Ci from the culture, art technics and topic worth portrait the impact of the stone upon the future generations, abandon thought within Confucianism culture bad Po, inherit the advantage of loyalty, filial piety and integrity thought, deepen the understanding of people to traditional virtue in China.