本篇论文主要研究丁玲延安时期的精神蜕变及在文学书写上的变化。在“五四”启蒙思想滋养下成长起来的丁玲具有强烈的个人意识和批判精神。延安初期，“革命”这一新因素在丁玲思想中占据了主导和支配地位，同时，个性主义的价值立场仍然存在于丁玲的日常生活和创作实践中。这一立场与延安集体主义的革命主流意识形态格格不入。1942年春，在对延安情况的熟悉、党的政策的支持、南京囚禁历史得到公正结论、与萧军等人交往密切等内外因素的综合影响下，丁玲表现得更为积极主动，创作了《在医院中》、《我在霞村的时候》等意蕴丰富的小说，并以《解放日报》文艺副刊为阵地倡导杂文写作。以丁玲为领军人物的这股“暴露黑暗”的延安文艺新潮激化了知识分子阶层与延安革命干部群众之间的矛盾。《解放日报》副刊的停刊整顿预示着党中央即将开始对延安知识分子群体进行思想改造，以培养无产阶级的“有机知识分子”，完成意识形态的构建。《延安文艺座谈会上的讲话》为知识分子制定了文学规范，正式把文学纳入到有机的政治体系之中。整风运动的深入开展使丁玲真正从“启蒙者”转变成“受教育者”，自觉把自己摆到革命机器的“齿轮和螺丝钉”的位置上。毛泽东的“改造”是较为全面的，《讲话》和“整风”从思想意识形态上对知识分子思想进行改造，“下乡入伍”等创造性举措更是从社会实践层面促使知识分子们深入到群众中去，成为一名真正的党的文艺工作者。“讲话”之后丁玲的文学书写出现了很多新变化。在内容上摆脱了“客居者”心态，在更深层次上建立了对农村和农民的情感认同。在文本形式上丁玲构造了一种“学习”与“参与”良性循环互动的再生产模式，拉近了文本与普通群众的距离，更在实践层面上促进了创作主体的再生产。在文学语言上，丁玲不断从民间汲取营养，使用简单易懂，群众所喜闻乐见的文字，形成了“大众化”的语言风格。总体而言，丁玲延安时期的思想转折及文学书写显示了动荡年代里中国现代知识分子所走过的艰难的心路历程，也体现了中国现代文学的复杂命运。

This thesis has mainly studied the ideological transformation of Ding Ling and the changes in literary writing during the Yan'an period. Growing up under the enlightenment thought of the May Fourth Movement, Ding Ling had strong personal consciousness and critical spirit. At the beginning of her life in Yan'an, the new factor of "revolution" occupied the leading and dominant position in Ding Ling's thoughts, meanwhile she still held the standpoint of individualism in her daily life and creative practice.This standpoint was inconsistent with the revolutionary mainstream ideology of collectivism in Yan'an. In the spring of 1942, under the comprehensive influence of internal and external factors such as much familiarity with the situation in Yan'an, the policy support of the Communist Party of China, the history of captivity in Nanjing coming to a fair conclusion, and keeping up close exchanges with Xiao Jun and other people, Ding Ling became more proactive, wrote many novels with rich textual meaning, such as In the Hospitaland When I was in Xiacun, and advocated the writing of essays based on the literary supplement of Liberation Daily.The new trend of Yan'an literature, led by Ding Ling, exposed the darkness while intensified the contradiction between the intellectual class and the revolutionary cadres and masses in Yan'an. The suspension of the Liberation Dailyfor rectification indicated that Mao Zedong was about to begin the ideological transformation of the Yan'an intellectual group in order to cultivate proletarian "organic intellectuals" and complete the construction of ideology. The speech at the Yan'an Forum on Literature and Art formulated literary norms for intellectual writers, and officially incorporated literature into the organically political system.The in-depth development of the rectification movement enabled Ding Ling to truly transform from a "torchbearer" to an "educatee" and consciously placed herself in the position of the "gears and screws" of the revolutionary machine. Mao Zedong's "reform" was all-round, in which the creative measures such as "Enlisting in the countryside" promoted intellectuals to go deep into the masses from the social practice level and became real literary and art workers of the Party. After the Speech, many new changes appeared in Ding Ling's literary writing, in which she got rid of the "guest" mentality in content, and established a deeper emotional identification with the countryside and the peasants.In the form of the text, Ding Ling constructed a reproduction mode of "learning" and "participation" in a virtuous circle, which shortened the distance between the text and the ordinary people, and promoted the reproduction of the subject of creation on a practical level.In terms of literary language, Ding Ling constantly drew nourishment from the folk, used simple and easily understandable characters that the masses like to read, and finally formed a "popular" language style.Overall, the ideological transformation and literary writing of Ding Ling during the Yan'an period show the difficult mental journey of modern Chinese intellectuals in the turbulent years, and also reflect the complex fate of modern Chinese literature.