巴尔扎克的《人间喜剧》力图以最真实的方式还原出19世纪法国的社会风貌，在其中塑造了各式各样的人物形象，其中十分特别的一个形象群体就是一系列的老处女形象。在以往和同时期的作家作品中，老处女经常被边缘化，而在《人间喜剧》中她们常作为主角或重要人物出现，这与作家的女性观有着密不可分的关系。结合19世纪法国相关的社会风俗和巴尔扎克的个人成长经历，对《人间喜剧》中的老处女形象群进行分析，力求将巴尔扎克对老处女形象群的创作方法进行总结。通过对老处女形象塑造方法的研究，力图寻找到巴尔扎克创作中独特的艺术手法，从中提炼中值得借鉴的优秀写作技巧。

In the Human Comedy, Balzac tried his best to restore the social outlook of France in the most authentic way,in which created a very special group including a a series of spinsters.Compared with other writers in the past and the same period,the spinsters often appeared as leading roles or very important people in the Human Comedy instead of being ignored.This is closely related with Balzac’s view of women.Combined with the background of France in the 19th-century and Balzac's personal experience,the research tries to study the spinster group in the Human Comedy and summarize the methods Balzac used when creating those characters. Through the study of the process and methods of creating the spinsters, trying to find Balzac’s unique artistic skills,which can help to find excellent writing skills.