贾平凹在当代著述中一直被作为乡土作家派来研究，但其城市文学作品在当代进城作家的此类作品中也颇具特色。本文借助一定都市文学理论从三方面来分析贾平凹城市文学作品特点，分别是贾平凹城市文学作品创作与时代变迁之关联及其创作意图，贾平凹对城市、城市中生活的群体、城市意象的描写，贾平凹城市文学表现手法。本研究通过将宏观的时代背景研究和微观的个人研究相结合，查阅贾平凹各时期作品和研究资料得出以下结论：贾平凹以西安为原型，以独特的陕北文化和气质作背景，写出了具有时代意义的城乡巨变。其作品写出了陕北文化的精髓，深具地域特色，且利用多变且具有特色的表现手法打上了中国色彩，但也受限于地域色彩和平民视角而没能写出具有普遍性意义上的都市；在人物命运的关照上他借助于社会热点生动地表现了农民群体和传统知识分子在变革时期的生存状态，虽视角单一但也具有普遍的代表性和时代意义。

Pingwa Jia is usually classified as a contryside writer, but his urdan literature is also very distinctive.This paper analyzes his urban literature characteristics from three aspects, with the help of a certain urban literature theory. That is, the association of his urban city literature creation with social change, his dipicts of city, urban population and city image and his expression methods in the literature. Through the combination of macro backgroud and micro personal information research, it is concluded that: taking Xi’an as a prototype, Jia has dipicted the dramatic change in urban and rural areas,which is of great significance. His literature inherits the essence of Shanbei feature and is also of chinese color, but he failed to present the urban with common features, it is not representative enough. In another side, he vividely showed farmer groups and traditional intellectuals’ living conditions in times of change .