北宋是亭台楼阁记发展的繁盛时期，其创作一改往日之风，成为可以与山水游记相媲美的独立文体。亭、台、楼、阁记固然常以一类并提，然而又有各自的风貌。时至今日“楼”成为传统文化中的标杆，是建筑与文化相融合的典范。登楼即登高，视野的开阔带给不同登临人不同的感受和生命体验，这多是“诗词赋”赋予“楼”的“楼”外之意——登高抒怀、思接千古。而在“记文”中，作者笔下的“楼”又给我们展现了不一样的历史文化内涵。本文试图从分析北宋楼记文艺术特色入手，进一步探讨“楼”的文化内蕴，剖析一时代士人独特的思想和心理。

The Northern Song Dynasty was a prosperous period for the development of pavilions and pavilions. Its creation changed its past style and became an independent style comparable to landscape travel. Although kiosks, tables, buildings, and cabinets are often referred to as one type, they have their own style. Today, "Floor" has become a benchmark in traditional culture and a model of integration of architecture and culture. Ascend the stairs to ascend, and the openness of the horizon brings different feelings and life experiences to different boarders. This is mostly the meaning of “Floor” given to the “Floor” - to ascend, to think through the ages. In "Notes", the author's "Floor" also showed us different historical and cultural connotations. This article attempts to analyze the artistic characteristics of Lou Ji Prose in the Northern Song Dynasty, further explore the cultural connotation of Lou, and analyze the unique thoughts and psychology of a scholar.