莱奥·卡拉克斯（Leos Carax）是当代法国影坛非常重要的一位导演。这位 作者导演坚守艺术创作的独立性，其作品虽少却别具一格，具有较高的审美价值。 纵观莱奥·卡拉克斯的电影创作，身体一直是其电影叙事表意的重要元素，对身 体的关注与迷恋贯穿了卡拉克斯的创作始终。从1984年的长片处女作《男孩遇见 女孩》开始到最近的作品《安妮特》，人物的身体一直是卡拉克斯电影中叙事的 动力、风格的依附和主题的承载。

本论文选取莱奥·卡拉克斯电影中的身体元素为研究对象，以身体理论为研 究方法进行研究。绪论部分梳理了研究背景、身体理论的研究方法和国内外研究 现状，以便更好地进入文本。正文部分包含三个章节。第一章梳理莱奥·卡拉克 斯电影中的身体景观，包括情欲的身体、疯癫的身体和失常的身体的三种身体表 征，归纳出卡拉克斯电影中爱而不得的主题，并挖掘其背后的孤独压抑的身体隐 喻；第二章分析莱奥·卡拉克斯电影中强烈奔放的镜头语言、别致的声音表达和 身体影像的空间塑造来论述其电影中别具一格的身体呈现，探讨卡拉克斯电影如 何通过视听元素塑造身体形象和表现主题；第三章论述莱奥·卡拉克斯电影中的 身体是如何成为叙事动力、叙事载体和叙事隐喻的，分析身体元素在电影叙事时 间和叙事结构上的表现，并对爱情、孤独和精神危机等创作母题进行思考；最后 结语部分对莱奥·卡拉克斯的创作生涯及其电影中的身体景观进行总结，并针对 本论文的研究进行相应的反思，以及在电影实践层面上进行一定的展望。

通过莱奥·卡拉克斯电影的身体研究，本论文旨在把握卡拉克斯创作的核心 主题，进而探索同题材、同类型电影的身体表达，为电影身体的研究与创作提供 一定的思路和灵感。

Leos Carax is a major French director in the contemporary French film industry. The director adheres to the independence of artistic creation. Although his works are few, they are unique and have high aesthetic value. Throughout Carax 's film creation, the body has always been an important element of his film, and the obsession with the body have run through Carax 's creation. From the debut film " Boy Meets Girl " in 1984 to the recent work " Annette ", the body of the characters has always been the driving force, style attachment, and theme carrier of the narrative in Carax films.

This paper selects the body elements in Leos Carax's films as the research object and uses body theory as the research method. Firstly, the paper introduces the background of Leos Carax's creation, then gives an overall glimpse of the methods and the current research of the director, so as to better enter the text. The first chapter analyzes the body landscape in Leos Carax's films, including erotic body, mad body and abnormal body, and summarizes the theme of love in Carax 's films. The second chapter summarizes the unique body presentation in Leos Carax's films by analyzing the strong and unrestrained shot language, chic sound expression and spatial shaping of body images, and excavates the lonely and repressed body metaphors behind them. The third chapter discusses how the body narrative strategy in Leos Carax's films becomes the narrative power, carrier and metaphor, and reflects on the creative themes of love, loneliness, and spiritual crisis. The final conclusion part summarizes the body landscape and provides corresponding reflections on the film practice.

Through the study of the body in Leos Carax's films, this paper aims to grasp the core theme of Carax's work, and explore the body expression in films of the same theme and genre, providing certain ideas and inspiration for the research and creation of film bodies.