本文以元代陆学与江西文坛的交叉为切入点，以刘壎与李存为重点研究对象，在介绍元代前、后期社会思想潮流与江西文坛风气的基础上，分析了刘壎与李存的陆学思想，以及在陆学思想影响下的文学理论与诗文创作，力求做到点面结合、文道合一。本文采用个案研究的方式，分刘壎、李存为上、下两编。 上编以刘壎为研究中心，分为三章。第一章论述元代前期的陆学发展状况，以及刘壎的陆学思想。陆学到南宋晚期已经式微，元初更出现了大肆批判陆学的方回。在此背景下，刘壎坚守陆学门户，极力为陆学辩解，并表现出“以悟为宗”的陆学特征。第二章论述元代前期的江西文坛，以及刘壎的文章理论与创作。元代前期的江西文坛出现两股风潮：一是刘辰翁的奇险，二是谢枋得的悲壮。刘壎对二家批判吸收，提出了自己的古文思想：出于自然，重于教化。他既能以散体为四六，也能以四六为散体，体现出独特的文章风格。第三章论述元代前期的江西诗坛，以及刘壎的诗歌理论与创作。元代前期的江西诗坛，出现了“宗唐”与“宗宋”之争，刘壎未将自己局于一家，提出了折衷唐宋的诗歌理论。他的诗歌创作，记录了时代的变迁与一己的心事，表现出一定的“诗史”特征。 下编以李存为研究中心，也分为三章。第四章论述元代中后期的陆学发展状况，以及李存的陆学思想。元代中后期的思想界，出现了“和会朱陆”的草庐学派，也出现了中兴陆学的陈苑、赵偕。李存师从陈苑，研习陆学，思想“以省察本心为主”。第五章论述元代中后期的江西文坛，以及李存的文章理论与创作。元代中后期的江西文坛，出现了提倡“盛世文风”的虞集，也出现了提倡自然真情的刘诜。李存对二家综合吸收，既承认国家强大气运，又主张抒发自我真情。他的文章，无论议论还是抒情，都以自然真切为特色。第六章论述元代中后期的江西诗坛，以及李存的诗歌理论与创作。元代中后期的江西诗坛，出现了“性情之正”与“情性之真”的争论，李存的诗歌理论深受前者影响，强调美刺和教化功能。不过在其诗歌创作中，则更多地表现了自己的真实性情。 本文上、下两编结构相似，总体布局上呈现出对称的特征。正文六章之外，又有绪言、馀论各一章，从更加宏观的角度呈现元代陆学与江西文坛的风貌。

This paper takes the intersection of Lu's philosophy in Yuan Dynasty and Jiangxi Literary as the entry point, lays the researching subject on Liuxun and Licun, on the basis of introducing the social thought throughout Yuan Dynasty and trend of Jiangxi Literary, the text respectively explores Liuxun and Licun on Lu's thought, also their literary criterion and creation, who strive to perform perfectly towards the combination of writing and thought under the influence of Lu's thoughts. The first part concentrates the research on Liuxun, which is divided into three chapters. The first chapter introduces the state of the development of Lu's philosophy in early Yuan Dynasty and Liuxun's acknowledge of Lu's philosophy. The second chapter presents Jiangxi Prose and Liuxun's theories and works in early Yuan Dynasty. The third chapter introduces Jiangxi Poem in early Yuan Dynasty and Liuxun's theories and his creations. The second part focus the research on Licun, three chapters are included.The fourth chapter describes the development of Lu's philosophy in the middle and late Yuan Dynasty and Licun's theory towards Lu's philosophy. The fifth chapter introduces Jiangxi Prose and Licun's theories and his works in the middle and late Yuan Dynasty. The sixth part give a general introduction of Jiangxi Poem in the middle and late Yuan dynasty, as well as poetry theory and creativity of Licun in detail. In this paper, the structures of the two sections are of the close style, and the overall layout shows symmetrical features. Besides the six chapters of the main text, it includes chapters of preface and a postscript, taking the outlook of Lu's philosophy and Jiangxi Literary from a more macro perspective