20世纪以来，李碧华一直是我国文学史上的优秀女作家之一，其作品常以爱情为主题，充满了对人性、历史、感情多方面的深入思考，不仅语言简练优美，背后所蕴含的悲剧精神同样耐人寻味。
本文以李碧华诸多优秀作品为研究案例，通过对其代表作《胭脂扣》、《霸王别姬》、《青蛇》、《诱僧》、《潘金莲的前世今生》等作品进行深入分析，对李碧华作品中悲剧的表现内容予以总结，并认为富有诗意的语言、悲剧人物的创造以及历史的更新与重塑构成了李碧华小说中的悲剧版图。随后，本文认为李碧华在描述悲剧时，以超自然的气氛烘托形成阅读吸引，以黄昏意向及虚无化的悲剧达到引人入胜的效果，使得作品本身具备极大文学吸引力。究其根源，李碧华悲剧的产生与其早年记忆、生活背景等息息相关，也正是因为李碧华对于人生独有的感悟使得其作品具备较强的文学价值、商业价值以及思想价值。

Since the 20th century, Li Bihua has been one of the outstanding female writers in the history of Chinese literature. Her works often take love as the theme, and are full of deep thinking about human nature, history and emotion. The language is concise and beautiful, and the tragic spirit behind it is also thought-provoking.
Taking many excellent works of Li Bihua as research cases, this paper makes an in-depth analysis of her representative works such as Rouge Button, Farewell My Concubine, Green Snake, Lure the Monk, The Previous Lives and Present Lives of Pan Jinlian, and summarizes the expression content of tragedies in her works. The author holds that the poetic language, the creation of tragic characters and the renewal and reconstruction of history constitute the tragic map in Li Bihua's novels. Subsequently, this paper argues that Li Bihua's depiction of tragedy is characterized by a supernatural atmosphere to form a reading attraction, and by the dusk intention and nihilization of tragedy to achieve a fascinating effect, which makes the works themselves with great literary attraction. The origin of Li Bihua's tragedy is closely related to her early memories and life background, and it is Li Bihua's unique perception of life that makes her works have strong literary, commercial and ideological values.