提到当今画坛最具影响力的大师艺术家之一，必然会想到大卫·霍克尼，他被称誉为“最著名的英国在世画家”，他的艺术创作媒介十分丰富，从平面艺术包含了绘画、传真、剪贴、印刷开始到、舞台设计艺术，从、摄影艺术、视频开始到、数字艺术数字板绘等。他的艺术生涯研究也横跨了多个领域，从宝丽来与胶片的摄影拼贴到舞台设计、道具制作，从用传真机、印刷机制作画作，到深入研究艺术史上的古典名家如何利用光学仪器进行创作。他对媒介的研究也围绕着艺术创作展开。

本文针对霍克尼艺术创作媒介的丰富的变化进行研究，探索媒介变化的内涵。文章将其对媒介艺术创作变化的研究分为三个部分：首先冲从其早期所接受的严谨的学院派绘画教育入手，了解顶级的学院派训练为他打下的中坚实的造型基础对其创作的影响，再到有其次分析摄影媒介对他的而启发，以及探索其多种相关艺术创作的原因尝试，使他站在了艺术创作探索的前沿，最后分析其晚期艺术创作媒介多种并存的创作观念的多样性。文章梳理了不同时期，他对，以及对平面图像创作的理解，同时分析了他对“自然主义”的态度，以及霍克尼艺术理念建立的过程。从霍克尼不同多种媒介的创作中能看到他从媒介的不断媒介的更替探寻更适合其创作的艺术表现方式，多样的是他对艺术观念表达的探索，同时更体现了霍克尼背后是完整的的创作逻辑。

David Hockney has been described as "the most famous living British painter" and is one of the most prominent masters in the world of painting today. His creative medium is highly diverse, ranging from graphic art to stage art, from photography to digital art.His artistic career has encompassed many different mediums, from the production of stage designs and props to the photographic collage of Polaroid and film, from the use of facsimile machines and printing presses to the creation of paintings, to a thorough examination of the optical instruments employed by the great artists of art history.

This article on Hockney's art creation and media changes for research will be broken down into three sections: first, he hurriedly accepted the demanding academy training for painting in order to understand the best aspects of the training and establish a strong foundation in modeling; second, photography inspired a variety of art creation attempts, positioning him at the forefront of the field's exploration; and third, an analysis of the diversity of its late media and comprehension of graphic image creation,and his comprehension of the production of graphic images. We can observe from Hockney's works in a variety of media that he experimented with more appropriate artistic expressions as a result of the media's continual evolution, and the logic of creation behind this varied artistic research is full.