同为由女性主导的社会形态，《西游记》与《镜花缘》中的女儿国看似大相径庭，实则殊途同归。在中国古典文学作品中女儿国之源流追溯、定义明确、类型划分的基础上，本文分别讨论剖析了二者的女性书写与政治表达。在这一部分，主要根据性别表征的独特呈现，通过时代背景、作品体裁、作者生平等多个维度，挖掘作者如此撰构的深层意图，探究女儿国性别背后的政治基底。在对两部文学经典中女儿国加以比较分析之后，二者在思想层面的进步性与在政治层面的异同性得到了较为深入发掘与阐释。

Both being female-dominated social patterns, the Women's Kingdom in Journey to the West and Flowers in the Mirror seem to be very different from each other, but in fact, they are on the same path. In this paper, the origin, definition and typology of the Women's Kingdom in classical Chinese literature are discussed and analyzed, followed by the women's writing and political expression in each of the two. In this part, based on the unique presentation of gender representations, the paper explores the authors' deeper intention of writing such a composition and the political base behind the gender of the Women's Kingdom through various dimensions such as the background of the eras, the genre of the works, and the authors' biography. After a comparative analysis of the Women's Kingdom in the two literary classics, the advancement at the ideological level, and the similarities and differences between them at the political level have been more deeply explored and explained.