随着全球化和国际交流的日益加深，自然纪录片因其跨越文化、跨越民族、跨越地域的国际传播特性越发受到关注和讨论。在国际传播中，自然类纪录片不仅是一种展示各国自然环境和生物多样性的窗口，更是传播各国文化、价值观念和世界观的重要途径。通过自然类纪录片，人们可以了解到世界各地的生态环境、自然风光，领略到地球之美、生命之神奇，同时自然纪录片也反映了各国创作者对自然的认知和态度。近年来，中国纪录片发展迅猛，各类型纪录片百花齐放，作为国际交流中最具特殊意义、提升国家软实力的自然类纪录片，纪录片界迫切需要产出一批具有本国审美特征且形成广泛传播的新鲜作品，而《众神之地》正是这个大背景下较为有代表意义的自然纪录片产物。《众神之地》自2022年7月上线至今，已在哔哩哔哩平台收获了超过一亿的播放量，豆瓣评分达到9.2分，是近年来国产自然品类纪录片中影响较为显著的一个作品，因此对该纪录片所呈现出的新特征、新视角的总结和梳理是具有时代意义和应用价值的。 笔者借叙事学理论，以对该纪录片详细的文本梳理和创作者采访作为论文支撑，从五个模块对《众神之地》进行深入的剖析，总结其的叙事特点，进而总结其独特价值，力求对我国当下自然纪录片创作观念形成观照和启发。 绪论部分对给该纪录片的研究背景和意义进行了总结和归纳，并对叙事学的研究、自然纪录片的研究和曾海若导演及《众神之地》的相关研究做了详尽的梳理，总结了本文议题下三个维度的前人研究成果。第一章与第二章先对纪录片在“讲什么”进行了总结，通过对四集中的内容进行题材与主题上的归纳，进而确立了该纪录片在内容文本上整体的取向和特征。第三、四、五章从纪录片“怎么讲”的角度入手，对其在叙事结构、叙事视角与人称、叙事语言三个维度所呈现的特点就行了剖析提炼，总结出其在“讲故事”方面用到的特色方式和手法。结语部分对该纪录片整体在叙事上呈现出的特点及缺憾进行了综述。进而完成了对该纪录片由大到小、由宏观到细节、由表及里式的梳理和总结。

With the deepening of globalization and international exchanges, nature documentaries have attracted more and more attention and discussion because of their international communication characteristics across cultures, nations, and regions. In international communication, nature documentaries are not only a window to show the natural environment and biodiversity of various countries, but also an important way to spread the culture, values and worldview of various countries. Through nature documentaries, people can learn about the ecological environment and natural scenery around the world, and appreciate the beauty of the earth and the magic of life. At the same time, nature documentaries also reflect the cognition and attitude of creators from various countries to nature. In recent years, Chinese documentaries have developed rapidly, and various types of documentaries are blooming. As the most special nature documentaries in international exchanges and enhancing the country's soft power, the documentary industry urgently needs to produce a batch of fresh works with national aesthetic characteristics and a wide range of forms. And "Land of the Gods" is a more representative nature documentary product under this background. Since its launch in July 2022, "Land of the Gods" has received 100 million views on the Bilibili platform, with a score of 9.2 on Douban. Therefore, it is of great epochal and academic significance to summarize and sort out the new features and new perspectives presented by the documentary.

From the perspective of narratology, the author uses the detailed text combing and creative interviews of the documentary as the thesis support, conducts an in-depth analysis of "Land of the Gods" from five modules, extracts the narrative characteristics of his works, and then summarizes his works The unique value it has, strives to form care and inspiration for the creation concept of my country's current nature documentary.

The introduction part positioned and summarized the research background and significance of the documentary, and made a detailed review of the narrative research perspective of the nature documentary and the related research of director Zeng Hairuo and "Land of the Gods", summarizing previous works Research results. The first chapter first studies the "what to say" of the documentary, and through a detailed overview of the content of the four episodes, it is concluded that "Land of the Gods" presents two focal points in the narrative theme: region The narrative theme of folk culture and the harmonious coexistence of man and nature. It establishes the orientation and characteristics of the documentary in content text. The second chapter starts from the perspective of

"how to tell" the documentary, and analyzes its characteristics in narrative strategy. From the three dimensions of narrative structure, narrative perspective and person, and narrative language, the characteristics of the documentary's narrative strategy are analyzed and refined. The third chapter turns from the research perspective of content and strategy in the first two chapters to a more macro level of ideas and concepts, summarizing and summarizing three concepts that are more valuable for thinking about the narrative connotation of the documentary, and then completes the analysis of the documentary. The documentary is sorted out and summarized from the small to the big, from the outside to the inside.