| 中文题名： | 探查《竹林的故事》中的“潜结构” |
| 姓名： | |
| 保密级别： | 公开 |
| 论文语种： | 中文 |
| 学科代码： | 050101 |
| 学科专业： | |
| 学生类型： | 学士 |
| 学位： | 文学学士 |
| 学位年度： | 2020 |
| 学校： | 北京师范大学 |
| 校区： | |
| 学院： | |
| 第一导师姓名： | |
| 第一导师单位： | |
| 提交日期： | 2020-06-26 |
| 答辩日期： | 2020-05-17 |
| 外文题名： | Exploring the "latent structure" in the story of bamboo forest |
| 中文关键词： | |
| 外文关键词： | |
| 中文摘要： |
废名是中国现代文学史上一个始终特立独行的作家，目光落在籍籍无名 的、甚至有些无关痛痒的小人物身上，落在远离纷争的世外桃源，落在中国几千年的传统上。《竹林的故事》是他 1924 年写就的一部短篇小说，描写了一段朦胧纯洁的爱情，表现了生命的苦难以及对这种苦难的审美超越，还表 达了作者对生命与存在的哲学感悟。本文运用叙事学理论，进入文本的内部，分析了隐匿在诗化语言之中的“无意识结构”，即传统隐形结构——出世意味、民间隐形结构——“孤儿寡母”叙事模式和“集体无意识”——阿尼玛原型，以及其潜在的蕴涵。受六朝文学和陶渊明的影响，作者以“竹”象征三姑娘，描绘了中国现代的“桃花源”，表达了其出世意味和隐逸情怀；在孤独多难的童年经历影响下，作者采用“孤儿寡母”的叙事模式，年幼丧父是三姑娘苦难命运的源头，而在这命运面前，三姑娘举重若轻，从不屈服，通过承受苦难来反抗苦难，实现了对苦难命运的超越；离家多年，作者将对母亲的思念化在“梦”中，塑造了三姑娘这一女性心象。
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| 外文摘要： |
Fei Ming is a unique writer in the history of modern Chinese literature. His eyes are on the unknown, even some unimportant little people, the paradise far away from disputes, and the Chinese tradition of thousands of years. The story of
the bamboo forest is a short story written by him in 1924. It describes a hazy and pure love, shows the suffering of life and the aesthetic transcendence of this suffering, and expresses the author's philosophical understanding of life and existence. This paper uses the theory of narratology to enter into the text and analyzes the "unconscious structure" hidden in the poetic language, that is, the traditional invisible structure - birth
meaning, folk invisible structure - "orphans and widows"
narrative mode and "collective unconscious" - anima
prototype, as well as its potential implication. Influenced by the literature of the Six Dynasties and Tao Yuanming, the author symbolizes the three girls with "bamboo", describes
the "Peach Blossom Garden" of modern China, and expresses the meaning of birth and seclusion; under the influence of lonely and difficult childhood experience, the author adopts the narrative mode of "orphans and widows", and the death of their father at a young age is the source of the three girls' suffering fate. In front of this fate, the three girls are weightless Not to give in, through suffering to resist the suffering, to achieve the fate of suffering beyond; leaving home for many years, the author will miss his mother in the "dream", shaping the three girls as a female image.
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| 参考文献总数： | 51 |
| 作者简介： | 作者：郁利芳，北京师范大学学生。 |
| 插图总数： | 0 |
| 插表总数： | 0 |
| 馆藏号： | 本050101/20108 |
| 开放日期： | 2021-06-26 |
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