随着全球化进程的不断推进，各国、各民族之间文化交往在广度与深度上都有了进一步的加大，讲好中国故事、构建中国纪录片话语体系成为中国纪录片的发展方向。文学纪录片将文学范式带入纪录片的叙事，以作家为对象，记录作家成长过程中的精神面貌、再现文学作品生成的过程、挖掘文学作品背后作家情感变动。文学纪录片是讲好中国故事的新范式，实现了中国优秀传统文化与现代视听语言手段的有机结合。
陈传兴的“诗的三部曲”将诗人个人生命和中国诗词艺术相结合，以“文学电影”的方式来呈现诗人的生平。他从欧洲艺术电影中汲取了经典创作技巧，以场面调度，空镜头切换以及时空的蒙太奇变形为手段，将中国的诗歌艺术转译到电影中，以影像的方式呈现中国诗词与历史、个人及东方传统审美之间的情境关联，实现了把握历史真实与心灵真实尺度的平衡。“诗的三部曲”为通过纪录电影讲好中国故事树立新范式，也为电影媒介传播中华传统文化提供了新的表达方式。
本文以叙事学研究为基础，综合运用文本分析法、文献研究法对陈传兴导演及其作品“诗的三部曲”进行分析和总结。论文的第一部分主要梳理、介绍陈传兴生平和“诗的三部曲”《如雾起时》《化城再来人》《掬水月在手》，试图通过寻找陈传兴和三位诗人人生经历的共同之处，探究导演在纪录片中独特叙事的情感原因。第二部分从影片叙事的内容层面进行分析，由创作者对表现客体的关照、创作者借影片表达的价值意义两部分构成，其中，创作者与表现客体主要探讨了影片中主人公、导演如何参与叙事，价值意义部分则探讨了影片的文化价值、艺术价值、历史价值。第三部分对影片叙事的技巧层面进行分析，从视听语言、叙事时空两部分进行研究。首先讨论了三部纪录片的声音、画面，以及声画关系的特色，如何用声音和画面再现诗歌美好。其次对其叙事时间、叙事空间进行探讨。结语部分，对“诗的三部曲”的叙事研究进行总结与思考，以期为我国的人物传记纪录片、文学纪录片提供行之有效的路径参考。

Like the Dyer's Hand As globalisation continues to advance, cultural exchanges between countries and ethnic groups have increased in both breadth and depth, and it has become the direction of development for Chinese documentaries to tell the Chinese story and build a Chinese documentary discourse system. Literary documentaries bring the literary paradigm into the narrative of documentary films, taking writers as their subjects, recording their spirituality during their growth, recreating the process of producing literary works, and exploring the emotional changes of writers behind literary works. The literary documentary is a new paradigm for telling the Chinese story, achieving an organic combination of Chinese traditional culture and modern audio-visual language techniques.
Chen Chuanxing's Poetry Trilogy combines the personal life of a poet with the art of Chinese poetry, presenting the poet's life in the form of a 'literary film'. Drawing on classical creative techniques from European art cinema, he translates the art of Chinese poetry into cinema by means of scene scheduling, empty shot switching and temporal montage distortion, presenting the contextual connection between Chinese poetry and history, the individual and traditional Eastern aesthetics in a visual manner, achieving a balance between historical truth and spiritual truth. "The Poetry Trilogy sets a new paradigm for telling the Chinese story through documentary film, and provides a new way of expressing traditional Chinese culture through the medium of film.
Based on narrative studies, this paper analyses and summarises director Chen Chuanxing and his work "The Poetry Trilogy" using a combination of textual analysis and documentary research methods. The first part of the thesis focuses on Chen Chuanxing's life and the "Trilogy of Poems", "When the Mist Rises", "When the City Comes Again" and " Like the Dyer's Hand ", in an attempt to explore the emotional reasons for the director's unique narrative in the documentary by looking for commonalities in the life experiences of Chen Chuanxing and the three poets. The second part analyses the content level of the film's narrative, looking at the creator's care for the object of expression and the value and meaning that the creator expresses through the film. Among them, the creator and the object of expression mainly discuss how the main character and the director participate in the narrative in the film, while the value and meaning part explores the cultural, artistic and historical values of the film. The third section analyses the technical aspects of the films' narratives, examining them in two parts: audio-visual language and narrative time and space. Firstly, it discusses the sound and images of the three documentaries, as well as the characteristics of sound and image counterpoint, and how the poems are beautifully reproduced with sound and images. The second part discusses the narrative time and space. In the concluding section, the narrative study of the "Poetry Trilogy" is summarised and considered, with a view to providing a useful reference for China's biographical and literary documentaries.