舞蹈语言作为舞蹈创编的主要表现手段，它是界定舞蹈作品风格的重要元素。对于青龙县这样杂居在汉族地区的满族聚居地，其最具代表的民族民间舞“猴打棒”，作为河北省非物质文化遗产研究的重点项目，在表演形式上得到了很好的继承发展，但鲜见于专业性文字记载。 本文立足当地生态文化环境的背景，以青龙县民间舞“猴打棒”的舞蹈语言为研究基点，借助舞蹈学、舞蹈生态学、舞蹈民俗学的研究方法对其进行探讨。首先，从文化生态入手，通过对其文化现象的梳理，从中窥探生态文化环境对“猴打棒”的产生和发展的影响。其次，对青龙县满族民间舞蹈“猴打棒”进行舞蹈语言本体艺术特点研究，以传统表演形式与现今形式为例进行分析，窥见其文化艺术价值。 在舞蹈艺术的“文化价值”被大范围的接受的同时，其“艺术价值”相继呈现。在打破民族和地域界限之后，“猴打棒”已经成为一项群众活动。在我国正在积极创建社会主义和谐社会的人文背景下，其沿革历史充分的表现出了民间舞蹈所具有强大的生命力和独特魅力。

"Wukong-plays-Jingu", as the most representative of the national folk dance in Qinglong, where the Manchu and the Han settled, is researched as an important nonmaterial culture in Hebei province. Its form of performance has been succeeded and developed well, but still, not very common in paper work. The folk dance, "Wukong-plays-Jingu", is investigated basing on the local culture in this essay through Dance Ecology and Folklore Dance methods. First of all, starting with the cultural ecology and cultural phenomenon I try to get the conclusion of how the local cultural environment influence folk dance "Wukong-plays-Jingu"; then I featured on the dance body arts of "Wukong-plays-Jingu" trying to explore its value in the arts and culture way by comparing the traditional and modern forms of its performance. The "artistic value" would have been presented when the "culture value" of dance was accepted by a large wide range of people. Ignoring the ethnic and geographical boundaries, "Wukong-plays-Jingu" has become a mass movement. As we actively trying to create a harmonious socialist society, the historical evolution of the folk dance "Wukong-plays-Jingu" has showed its great vitality and unique charm.