本文在对余华所有小说作品的阅读基础之上，结合余华本人阐释自身写作以及展示阅读经历的随笔，参照学者对余华写作的研究，得出余华从始至终贯穿其写作道路的“极简主义叙事”的写作理念。论文从“存在”的写作主题、小人物的极简叙事、不确定描述性语言的选择以及“省略”“重复”的极简策略四个方面分别分析了余华写作中的“极简主义叙事”表现。论文结合鲁迅作品中的人物叙事和重复分析了鲁迅和余华之间的极简主义联系，并从海明威、雷蒙德·卡佛的“人物真实、省略留白”等方面分析了余华和卡佛的“极简主义叙事”共性。余华对“极简主义叙事”的选择和高超运用，体现出余华是继鲁迅之后叙事造诣极高的中国作家，同时也是具有世界性叙事水平的作家。

In this paper, based on the reading Yu Hua’s whole novels, combining Yu Hua himself interpreting his own experience of writing and reading essays , referring to scholars' research on Yu Hua Writing, obtaining Yu Hua's minimalist landscape writing philosophy through his whole writing path . This paper analyzed Yu Hua’s “minimalist narrative" performance from the writing topic of "presence", the characters of minimalist narration, choosing uncertain descriptive language and minimalist strategy of "omission" "repeat". This paper analyzes the narrative minimalism link between Lu Xun and Yu Hua by analyzing Lu Xun’s works of character and repeat , and from Ernest Hemingway, Raymond Carver's "real character, omit blank" analyzed Yu Hua and Carver the "minimalist narrative" in common. Yu Hua's superb choice and use of minimalist narration, reflecting Yu Hua is not only a high attainments narrative Chinese writer, but also the cosmopolitan narrative writer of the world.