作为有元一代著名的诗人、画家，倪瓒一直是一位富于传奇色彩的人物。在元末风雨飘零，极端动荡的时代，他以超然物外的处世态度和卓越的才华受到了广泛推崇和尊重。他的豪富家世，他的坎坷经历，他的清高孤傲，以及他的洁癖，都成为当时和后世热衷谈论的话题。作为中国美术史上文人画顶峰时期的杰出代表，倪瓒的画构图简约、笔墨素淡，自称“逸笔草草”，“不求形似”，然而意境深远，清绝高逸，被誉为是“不食人间烟火气”的逸品极致。他在绘画上表现出的这种审美追求，在其所作的诗词当中也有充分的体现。因此，对其题画诗进行研究整理，有助于我们对中国文学史，尤其是诗文发展的深入认识。本文第一部分主要论述倪瓒生平事迹，交游情况以及所生活的时代背景，以期能结合其身世遭际和性格特点来理解其题画诗的创作。第二部分论述了倪瓒的美学思想，突出其“据于儒”、“依于老”、“逃于禅”的思想特征。第三和第四部分则具体论述了倪瓒题画诗的题材内容和艺术特色，因为题画诗是诗画艺术结合的产物，所以除了分析其作为诗体艺术的特点之外，还兼顾了其作为画体艺术的款式和书法特点。

As a most famous poet and painter in Yuan dynasty, NI Zan has always been a legendary figure. In the late of Yuan dynasty which was an extremely turbulent time, he received widely admired and respected because of his personality and talent. People at the time and in future generations kept talking about his story of family, his experience as well as his personality.As one of the outstanding representatives in the history of Chinese art paintings, Ni Zan is highly regarded for his simple composition, color as well as the mood which is extremely clearance. All of this has fully shown in his poetry of paintings. Therefore, the study of NI Zan’s poetry of paintings could help us to recognize and understand the history of Chinese literature especially the development of poetry.This article focuses on three parts. In the first part we mainly introduced Ni-chan's life, friendship and the background of the times in which he lived in order to have a view of combining all the background including experience and personality with creation of his poetry. The second part discusses his aesthetic idea with a highlighting of his ideological characteristics which mainly according to Confucianism, the old as well as the Zen. In the third and fourth part we discuses the content and art feature of Ni-chan's poetry of paintings specifically. As we all know, poetry of paintings is a combination of both poetry and painting. So it’s necessary to analyze the characteristics of his work not only as an art of poetry but also as an art painting in addition.