《牡丹亭》是明代戏曲家汤显祖的代表作，也是中国戏曲史上浪漫主义的杰作，作品通过描绘杜丽娘与柳梦梅超越生死的爱情故事，向社会发出了对真挚爱情和个性解放的呼喊。作品问世四百余年来，国内外相关研究已成为一个学术界经久不衰的热点。

由椰岛游戏独立开发、2020年7月正式上线的“古风模拟经营类手游”《江南百景图》，一度引起大范围的网络讨论。本文将以《江南百景图》游戏的《牡丹亭》副本为例，探讨《牡丹亭》在当今社会的经典化新趋势，并籍此审视当代文娱产业对于历史人物和文学经典的重构姿态。

The Peony Pavilion is the representative work of Tang Xianzu, a dramatist in Ming Dynasty, and also a masterpiece of Romanticism in the history of Chinese opera. Through depicting the love story of Du Liniang and Liu Mengmei beyond life and death, the work appeals to the society for sincere love and personality liberation. In the past 400 years since the publication of the works, the related research at home and abroad has become a hot topic in the academic circles.

Independently developed by Coconut Island Games, officially launched in July 2020, the "ancient style simulation business hand tour", Jiangnanbaijingtu(picturesque panorama of Jiangnan), once caused a wide range of network discussion. This paper will take the instance of "The Peony Pavilion" of Jiangnanbaijingtu as an example, explore the process of the new trend of classicization of The Peony Pavilion in today's society, and examine the reconstructed posture of the contemporary cultural and entertainment industry towards historical figures and literary classics.