微电影是为适应新的传播环境和人们新的欣赏习惯而产生的一种新型影视艺术形态。作为一种年轻的影视艺术形态，微电影在叙事结构上存在着碎片化、单线叙事、人文化等特点。这些特点使得微电影在短时间内受到了广泛的关注。但与此同时，微电影的火热也为其带来了叙事结构上的问题，在叙事结构上整体缺乏创意，同时微电影被商业化过度侵蚀，这都导致前两年十分火热的微电影在近几年已经逐渐走向下坡路，失去了之前的高关注度。因此，笔者采用案例分析的方式，结合当下中国微电影比较典型的特点选取了几个案例进行分析，从而发现其中的一些问题，提出自己的见解，以及对于未来中国微电影发展的建议。

Micro-film is a new film art form spread to adapt to the new environment and people accustomed to a new appreciation generated. As a young art form film, micro film on the existence of fragmented narrative structure, single narrative, human and cultural characteristics. These features make micro-film in a short time received widespread attention. At the same time, micro-film fiery also brings problems of its narrative structure, the narrative structure of the overall lack of creativity, while micro-film to be commercialized excessive erosion, which has led to the first two years in very hot micro film downhill in recent years has gradually lost the previous high degree of concern. Therefore, the author uses case study approach, combining contemporary Chinese micro-film characteristics typical of the few cases selected for analysis, which found that some of these issues, put forward their views and suggestions for the future development of China's micro-film.