当“80后”青春文学与市场经济紧密结合而掀起一股巨大得“青春风暴”后，“X0后”的概念由此而生。日益壮大的“90后”青春文学一方面凭借着其时代特征与个性化、多元化写作方法，巩固着青春文学在图书市场上的号召力；另一方面不断赢得文学评论界的好评，正实现着青春文学向“叫好又叫座”状态的转变。本文结合文学创作的共性与个性理论、青春文学的文学史研究以及具体的“90后”青春文学文本分析，从“90后”青春文学的共性与个性的两方面出发，探索“90后”青春文学的具体特点和其“叫好又叫座”的重要原因。 本文主要由三部分组成，第一部分引言，主要介绍研究背景、相关概念和相关的研究成果；第二部分则主要从文学史角度由文学创作对的共性与个性理论角度对青春文学尤其是“90后”青春文学进行梳理和特点分析，第三部分则结合三部风格迥异却各具特色的作品从文本出发，分析总结“90后”青春文学如何做到文学价值与商业价值的结合进而“叫好又叫座”。

After that the “generation after 80s” youth literature integrated with the market economy and whipped a storm of the “youth literature”, the concept of the “generation after X0” came into the world. On one hand the growing force of the “generation after 90s” youth literature strengthened its market share of book market, with the help of its era characteristics and the personalized, diversified writing method. In another aspect it win acclaim from the literary critics constantly, which is trying to realize the transformation of youth literature to cheered and sell. This paper based on the theory of universality and individuality of literature creation , literature history studies of youth literature and the text analysis of the generation after 90s,through the 2 sides of the generality and individual, to explore the characteristics of the “generation after 90s” youth literature and the main reason of its cheered and sell. This paper consists of three parts mainly, the first part “introduction” introduces the research background, related notion and relative research achievements. The second parts through the side of literature history in the direction of the theory of universality and individuality of the literary creation, tease the characteristics of the “generation after 90s” youth literature. The third part based three different productions to analysis how can the “generation after 90s” youth literature connect the literary with commercial value.