中文题名: | 从事件到剧本的叙事策略研究 |
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学科代码: | 135105 |
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学生类型: | 硕士 |
学位: | 艺术硕士 |
学位年度: | 2012 |
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研究方向: | 电影电视剧叙事 |
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提交日期: | 2012-12-26 |
答辩日期: | 2012-12-06 |
外文题名: | FROM THE EVENT TO A SCRIPT |
中文摘要: |
不同的叙事可以使相同的故事原型产生不同的效果,同样的真假儿子的故事素材,电视节目和电影基于两种叙事和创作要求的不同,构筑的作品产生了不同的感染力,电视节目追溯问题寻找答案,注重事件;电影注重表现人物之间纠结的情感。为了表现情感在剧本创作时添加了情节和人物,注重通过事件塑造人物。所以,前者在事,后者在人。本论文从电视节目和电影剧本的创作角度出发,探讨纪实类电视节目和电影的一般叙事手法、叙事的深化。以期对电视节目的创作产生积极的指导作用。
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外文摘要: |
Different narrative can make the same story prototype produce different effect, the same true and false son's story material, TV shows and movies based on two kinds of narrative and creation requires different, building works produced different appeal, TV shows traceability problem for the answers, pay attention to events; Movie pay attention to performance between characters swirly emotion, in order to show emotion in the playwriting when added the plot and characters, pay attention to through the event characterize. So, in the former, the latter in person.This paper from TV and film script creation Angle, discusses the documentary is the kind of TV programs and films of the general narrative techniques, narrative deepening, in order to TV show positive guiding role creation.
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参考文献总数: | 5 |
作者简介: | 刘文燕,北京电视台著名主持人。 |
馆藏号: | 硕550105/1213 |
开放日期: | 2012-12-26 |