本研究主要关注河北、河南、四川、重庆的南北朝隋唐期阿弥陀造像群。以河北、河南出土的北朝至隋代的阿弥陀造像中的“树叶化生”图像为切入点，探讨早期阿弥陀像与阿弥陀佛五十二菩萨像之间的关联。其次，就河南地区的阿弥陀造像，会以龙门石窟唐代关联造像群为中心，讨论阿弥陀造像的样式以及流传的相关问题。然后对阿弥陀造像实例保存丰富的四川、重庆地区的相关实例进行网罗，重点关注一些比较有特点的实例。通过解释图像要素、分析造像的构成、考察其营造的背景，掌握南北朝隋唐期阿弥陀造像的发展脉络。

This study focuses on Amitabha Buddha statues from the Northern and Southern Dynasties and the Sui-Tang periods in Hebei, Henan, Sichuan and Chongqing. Taking the image of "Shuyehuasheng" of Amitabha Buddha statues from the Northern Dynasty to the Sui period, unearthed in Hebei and Henan as the entry point, this paper firstly discusses the relationship between the early Amitabha Buddha statue and Amitabha Buddha with fifty-two Bodhisattvas images. Secondly, with regard to the Amitabha Buddha statues in Henan, the paper focuses on the related statues in Longmen Grottoes in the Tang Dynasty, discussing the style of Amitabha statues and related problems in circulation. It will also collect relevant examples of Amitabha statues in Sichuan and Chongqing, which are rich in preserved examples, and focus on some more distinctive examples. Explaining the elements of the images, analyzing the composition of the statues and examining the background of their construction can make it possible to grasp the context of the development of Amitabha Buddha statues from the Northern and Southern Dynasties and the Sui-Tang periods.